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Showing posts with label star trek. Show all posts
Showing posts with label star trek. Show all posts
7 August 2016
This Helped Me To Stand Up To A Racist
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21 July 2016
Star Trek Into Darkness
The film begins with
Benedict Cumberbatch's John Harrison causing some shit that makes
Kirk want to track him down and capture him. However perhaps there's
more to this John Harrison than initially meets the eye? Perhaps he's
not who we think he is? Perhaps he's somebody a little more iconic
that that?! Well, I guess I Khan't tell you either way. Or maybe I
can?! Meh, fuck it, he's playing Khan. Obviously. So the first half
of the movie has a Godfather 3 style
massacre- a villain who does one of those ridiculous 'get captured
and then somehow predict everybody's movements' plans, and then it
concludes with a spot of Wrath Of Khan karaoke.
Oh, and all throughout, the guy
who plays Robocop is
trying to start a war between the Federation and the Klingons
because, you know.. this is an action film and it's nice to see
spaceships go 'boom'.
So was it shit or not then? (Spoilers.. obv)
Reviews were initially kind to this movie, however as the years have
gone by its reputation has gone down faster than than a cheap whore
that'll suck you off for less than a packet of fruit pastels. I think
the initial love for it was simply because of how fast it moves and
how fun it is and so people weren't given chance to turn against it.
But as time has passed and everything it has to offer has sunk in,
people have gotten an “it's ripping off the Wrath Of Khan” hump.
Which is sort of justified of course, seeing as Kirk's
cancery/radiation death is literally identical to Spock's in that
earlier movie, but with one small difference. Wrath Of Khan's was
between two men that had been friends for over thirty years and so
was significantly more emotional. As such, many people feel the scene
hadn't earned justification for itself due to this Kirk and Spock
being about as moody with each other as a teenager that's been forced to stop tossing off and do some house chores.
Except in Into Darkness's defence, I don't think its death scene is
about Kirk and Spock's friendship, but simply how everything Spock
touches turns to shite. His planet his destroyed, his Mum dies, all
of his Federation leaders get wiped out, and then after all of that,
his new mate dies too. If the Enterprise really was like a ship
exploring the vast mysteries of the sea-like universe then I'd have
Spock thrown overboard for being a fucking Jonah*. So I don't think we
were meant to accept that Pine and Quinto's characters were as close
as Shatner and Nemoy's, but rather Spock has finally fucking snapped.
Hence him then going after Khan with all the anger and confusion of a
man who's just sat down really hard on his own testicles. However if
I do have a criticism of that scene being in this movie, it's that the
Spock who died in Wrath Of Khan is in this fucking movie too.
They even ask Nemoy's Spock about Khan. You'd think might mention
“oh yeah.. that Khan's a right prick. By the way.. You know that
reactor core thing? Maybe keep a fucking radiation suit by it, yeah?”.
I mean that's just basic safety regulation, surely!
I suppose it's also a bit of a problem that Kirk is
killed and then resurrected within the space of about ten minutes, which was also after his equally brief demotion and re-promotion had
lasted about as long it'd take to have a piss. So I'm not saying that
the script couldn't have done with being passed through the common
sense machine at least one more time. Plus considering Khan's blood
essentially brought Kirk back from the dead, and the film ends with
Khan in a freezer, you've essentially removed any sense of threat from
the rest of the franchise... whilst also doing the ship's doctor Bones
out of a fucking job. And nor, as we discover as the film goes on,
am I really sure why Khan thought it was a good idea to hide all of
his friends in a load of missiles. Maybe it explained it and I missed it,
but as stupid moves go, that is basically the equivalent of hiding
your ice-cream in an oven and then wondering why it's melted. Short
story.. because you were a dickhead.
I think the other thing people don't like about this movie is that it puts more of a focus on the Federation's militarisation than it does on the crew simply going off for an intergalactic jolly 'oliday. However it does kind of make sense when you consider that this timeline follows on from a film in which the planet Vulcan was destroyed. In which case, as a one off story to tell of the paranoid aftermath of those events, I was pretty happy with what I got. Although considering Vulcan was destroyed by a laser that was dangling from an easily breakable chain, I'm not so sure that they needed an army as much as they simply should have pulled their fucking thumb out and shot it down. Into Darkness might be a bit stupid but it is quite a lot of fun, and in a franchise in which Kirk asks “what does a God need with a Spaceship”, 'stupid but fun' isn't necessarily a step-down.
* Just in case you aren't an 18th century sailer or haven't seen Master And Commander a 'Jonah' is basically a sailers version of a jinx.
I think the other thing people don't like about this movie is that it puts more of a focus on the Federation's militarisation than it does on the crew simply going off for an intergalactic jolly 'oliday. However it does kind of make sense when you consider that this timeline follows on from a film in which the planet Vulcan was destroyed. In which case, as a one off story to tell of the paranoid aftermath of those events, I was pretty happy with what I got. Although considering Vulcan was destroyed by a laser that was dangling from an easily breakable chain, I'm not so sure that they needed an army as much as they simply should have pulled their fucking thumb out and shot it down. Into Darkness might be a bit stupid but it is quite a lot of fun, and in a franchise in which Kirk asks “what does a God need with a Spaceship”, 'stupid but fun' isn't necessarily a step-down.
* Just in case you aren't an 18th century sailer or haven't seen Master And Commander a 'Jonah' is basically a sailers version of a jinx.
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20 July 2016
Star Trek
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The film begins when
the villain, Nero McBlandson, goes through a worm-hole that leads him
directly into a franchise reboot. From here he kills Kirk's Dad and
alters the timeline just enough that the original fans shouldn't get
pissy about the un-canon-ing of their favourite show, but not quite
enough to change anything significant. As such, we see Kirk become
Captain of the Enterprise with Spock being his right hand man. I
guess if your job is to issue orders then it probably helps for your
second in command to have a good pair of ears.
So was it shit or not then?
Well
surely we all have to admit that this movie is just completely
fucking brilliant, don't we? Apparently the fans of the original films
and shows hate this movie, but I honestly can't work out why. I mean,
it's a prequel, sequel, and re-boot, all at the same time, which is at
such a level of genius that I reckon it'd have Steven Hawking's
computer shouting “clap, clap, clap”. Over the years I've seen
this movie quite a bit, however this was my first viewing having seen
every previous film in the franchise. As such, I became kind of worried that
this time the performance by Pine and Quinto might pale in comparison
to their much more iconic predecessors. Thankfully though this turned
out not to be the case as, although Shatner does have his justifiably
legendary status, Pine's secret weapon is simply that he can actually
fucking act. Nor is it a problem for Quinto either due to Nemoy
showing up in the film to point at him and shout “this is me from
now on”. Oh and it also helps that the cast are also borderline
clones of the original crew. I mean, having looked at the two actors, I
refuse to believe that Karl Urban isn't simply what happens when the
original Bones dips his balls in a Petri Dish full of stem cells.
One
of the things that has changed for me since having watched the
original films however is how much more emotional this has become.
The opening ten minutes alone has always had me in tears but this
time I found myself fighting them back with such regularity that I
had to check that I wasn't going through the fucking menopause. Not
to slag off the previous movies, but with them I think that I only
cried once, and that was tears of joy after The Motion Picture
finally ended
and I discovered I hadn't actually lost a year of my fucking life to
it. In fact, just compare the introduction of the Enterprise in that
film to its introduction in this one and you'll see the difference.
Here we get one of the most amazing scores of modern times aiding a
shot that's like being stabbed in the brain with nostalgia.. in The
Motion Picture we got a five
minute sequence in which William Shatner gave his best 'fuck-me eyes'
to an air fix model.
Not
that I'm saying that this newer movie is perfect of course. Eric
Bana's Nero is so uncharismatic that I'm presuming the black hole
that he travelled through came into existence when he looked into a
mirror and accidentally created a vortex of boredom. He's got a weird
run too and it's really distracting. It's kind of a waddle you know,
like if a fat person had been entered into a 'race for a pie
competition'. Or to make that sound more Star Trek-related,
it's as if William Shatner had been entered into a 'race for a pie
competition'. Oh, and even ignoring Nero, there's a couple of
distracting plot-holes scattered throughout. Most notably when Kirk
is blasted onto a random part of a random planet and randomly runs
into a random cave in which he randomly meets the older Spock. I
don't know though, maybe that's how life works. Like if you take
three rights you end up going left perhaps when so many things
randomly happen like that things lead directly to where you need them
to. Which in this movies case, was bullshit.
However that's one gripe in an otherwise brilliant movie. Sure the fans can moan that there was too much action and it lost the intellectual subtlety of what the franchise should be about, but what it lacks in subtext it gains in being the most consistently brilliant film of the franchise since Wrath Of Khan. I'm sorry the movie couldn't please everybody in favour of a the larger audience of general film fans, but to quote Spock “the needs of the many outweigh the needs of the few”, and this movie is fucking brilliant. Thanks for reading, motherfuckers, and see you next time.
However that's one gripe in an otherwise brilliant movie. Sure the fans can moan that there was too much action and it lost the intellectual subtlety of what the franchise should be about, but what it lacks in subtext it gains in being the most consistently brilliant film of the franchise since Wrath Of Khan. I'm sorry the movie couldn't please everybody in favour of a the larger audience of general film fans, but to quote Spock “the needs of the many outweigh the needs of the few”, and this movie is fucking brilliant. Thanks for reading, motherfuckers, and see you next time.
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19 July 2016
Star Trek 10: Nemesis
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So
the Enterprise is sent to the Romulan council in order to negotiate a
peace treaty, for some reason. Not that it matters I suppose
considering that they're all instantly killed by a young Tom Hardy.
Hardy plays an evil clone of Picard which we as an audience can tell
because they're both disgustingly bald. Honestly there were scenes in
which the two of them had their naked heads close together in which I
couldn't help but think of that moment with Barbara Windsor in Carry
On Camping. We're told that this clone exists because the
Romulans “somehow” managed to get some of Picard's DNA. We're
never told how they managed this, although considering Picard has
flirted with at least one alien per new planet, I kind of don't want
to know. Even when Picard is looking at Hardy, you can tell he's
trying to work out whether banging a clone would count as incest.
Anyway, long story short, Hardy needs Picard's blood to live and has
decided that he also wants to destroy Earth... because you know..
fuck it, why wouldn't you!?
So was it shit or not then?
It
was nice that in this film Hardy didn't just do his usual thing of
mumbling, although sadly I still couldn't understand a word that he
was fucking saying. I mean, this is a genuine sentence uttered in the
movie: “The Son'a, the Borg, the Romulans, the evil Soran, and that
pesky Nexus. You seem to get all the easy assignments!”. Sorry,
what the fuck did you just say? It got so bad in this movie in
regards to all that space gibberish that I actually invented a
drinking game whilst watching it. Simply take a shot every time you
hear something that you don't understand and then see if you can get
to the first half hour without being fucking dead. In terms of
Hardy's performance however, although I don't know what the fuck he
was saying, I did enjoy him in general. Although he was skinny as
hell. I guess this was filmed during that point in which he was
enjoying life as a crack-head, which is fair enough. As the film goes
on, his character begins to get sicker and sicker.. I'm not sure if
this was intentional or if the filming was just dragging on and he
was being forced to go cold turkey.
Whereas
most franchises are content with just the explosions, Star
Trek likes to ask the bigger
questions. You know.. the really important things in life such as
what would we do without the environment? And what does a God really
need with a spaceship? In the case of Nemesis, it
seemed to me that the movie was basically just asking 'have you ever
considered that your problems could be solved with suicide?' Picard
is trying to kill his clone; Data quite literally deactivates a
replica of himself, and then the film concludes when a main character
Wrath Of Khan's it by
sacrificing themselves to save their friends. In every case, it seems
that topping yourself isn't the worst idea ever. Even in terms of the
franchise this is true. I read that this movie was stupidly released
at the same time as one of the Lord Of The Rings films
and as such made piss all money. What was the result of this? The
franchise basically died before being brought back with the much more
accessible and noticeably more profitable reboot. Problem solved!
I did like this film though. It was the first of the Next Generation movies to feel actually cinematic, the action was pretty good, and I did feel some emotion with the concluding sacrifice. I mean the emotion was pretty much just “oh.. never mind” but that's more than I felt at my own granddad's funeral. Who can be truly sad when you know you have a free buffet coming up?! With it's pro top-yourself message however, I just worry now that if I'm ever feeling particularly low and find myself looking at my veins whilst holding a knife, I can't be sure that I won't suddenly hear Patrick Stewart's voice demanding me to “make it so!”.
I did like this film though. It was the first of the Next Generation movies to feel actually cinematic, the action was pretty good, and I did feel some emotion with the concluding sacrifice. I mean the emotion was pretty much just “oh.. never mind” but that's more than I felt at my own granddad's funeral. Who can be truly sad when you know you have a free buffet coming up?! With it's pro top-yourself message however, I just worry now that if I'm ever feeling particularly low and find myself looking at my veins whilst holding a knife, I can't be sure that I won't suddenly hear Patrick Stewart's voice demanding me to “make it so!”.
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18 July 2016
Star Trek 9: Insurrection
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The
film begins on a planet of Amish type people who seemingly have no
idea about the evils of technology. Well, not until Data the robot
pops up and kicks the shit out of them anyway. It turns out
that Data has been shot, resulting in him going a little mental.
Because that's obviously what you want when exploring the dangers of
the universe... a machine that will let you know it's malfunctioning
by battering the fuck out of you. Picard promptly turns up to stop
the android's rampage which he does by singing a Gilbert O'Sullivan
song to him. I guess the film-makers were aware that the only way to
end an action scene in a more exciting way than with an explosion is
to have a bald, Yorkshire bloke turn up and sing the hits of the
fucking 70's.
Anyway,
it turns out that Data may have been shot to prevent him from
uncovering a plot against these boring Amish type people. Despite
spending their time by ignoring such electrical joys as the
television, iPhone, and the Lovehoney Double-Dip-Delight Dildo, their
planets position exposes them to some weird space-rays that allow
them to remain youthful forever. Or if not forever then at least long
enough that somebody like Cher might want to visit before her skin
becomes so tight that her skull manages to rip its way through her
face like Alien's
fucking chestburster.
So was it shit or not then?
As
seems to be the case with the Next Generation movies,
it basically felt like an extended episode of the show, and to be
fair... it makes the show look shit. Although that image of TubGirl
made me never want to take a bath again, and we all know baths are good for
you, so I'll keep an open mind. Duration-wise Insurrection
manages to be about half an hour shorter than the average Trek
movie and about nine fucking
years shorter than Star Trek: The Motion Picture. Usually
I'd argue that brevity is a good thing, however here it's as though
loads of shit has just got chopped out. Sub-plots go seemingly
nowhere and the theme of the movie remains as unexplored as Picard's
personal barbershop. For example, one of the many subplots that goes
nowhere is Picard's love of one of the planet's locals. However after
ninety minutes of flirting they don't even kiss, which is odd,
especially considering that Insurrection
is really just a compound of both 'insert' and 'erection'.
Also the Starfleet's Prime Directive states that when exploring a new planet there should be “no interference with the social development of said planet”. As such, this movie is about Picard standing up for what's right for the Amish-like people against the hypocrisy of Starfleet's order to move them. However the movie fails to explore the idea that, firstly, pretty much every planet the crew have visited has been interfered with; secondly, when Kirk and Picard were visiting, most of the female aliens on said planets have been interfered with; and thirdly, it probably would be for the greater good that this small civilisation be relocated in order for scientists to fully examine these 'everlasting youth rays'.. and was it not Spock that said “the needs of the few outweigh the needs of the many”? It seems like this would have been a great chance for the film to address the franchises own hypocrisies regarding that Prime Directive whilst examining the morality between the Prime Directive and Spock's mantra.
Also I depressingly didn't even have to Google the directive or the Spock quote.. I am enjoying this franchise over all, but if its mission was to turn me into a fucking nerd then I can't help but feel it's made it so. And I am enjoying this franchise, and I did enjoy Insurrection to a degree. It had some good action, nice half-developed ideas, and the villain was fun. Imagine an alien that's had so much plastic surgery that it's as though he's had his scrotum stapled across his face and you're pretty much there. If you can't manage that then just picture Mickey Rourke.
Also the Starfleet's Prime Directive states that when exploring a new planet there should be “no interference with the social development of said planet”. As such, this movie is about Picard standing up for what's right for the Amish-like people against the hypocrisy of Starfleet's order to move them. However the movie fails to explore the idea that, firstly, pretty much every planet the crew have visited has been interfered with; secondly, when Kirk and Picard were visiting, most of the female aliens on said planets have been interfered with; and thirdly, it probably would be for the greater good that this small civilisation be relocated in order for scientists to fully examine these 'everlasting youth rays'.. and was it not Spock that said “the needs of the few outweigh the needs of the many”? It seems like this would have been a great chance for the film to address the franchises own hypocrisies regarding that Prime Directive whilst examining the morality between the Prime Directive and Spock's mantra.
Also I depressingly didn't even have to Google the directive or the Spock quote.. I am enjoying this franchise over all, but if its mission was to turn me into a fucking nerd then I can't help but feel it's made it so. And I am enjoying this franchise, and I did enjoy Insurrection to a degree. It had some good action, nice half-developed ideas, and the villain was fun. Imagine an alien that's had so much plastic surgery that it's as though he's had his scrotum stapled across his face and you're pretty much there. If you can't manage that then just picture Mickey Rourke.
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17 July 2016
Star Trek 8: First Contact
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So
I guess this is really the first movie to show just the Next
Generation team in action,
and I did like the variety of Mr Wharf, Data, and Picard. With them,
you have a dark-skinned Klingon, a pale android, and grossest of
all... a fucking bald man. This time however we're told that “The
Borg have gone back in time in order for them to be able to
assimilate the future” Or to put it another way.. “some sci-fi
shit is happening and so let's crack on”. In this movie, Patrick
Stewart must go back in time to prevent past events from destroying
the future, although unlike in Days Of Future Past, this
time he actually gets off his lazy arse and goes himself. Oh, and this
time, the villains are the previously mentioned Borg who travel around
annoying people in giant metal cubes. So I guess they're a bit like
intergalactic caravaners. The only thing is that the Borg aren't
actually shown for ages and so all you know is that parts of them are
made of metal and they like whatever room they're in to be
uncomfortably hot. So for the first half of the movie I was basically
just picturing my Nan.
So was it shit or not then?
Well,
there's a lot of reference throughout to Picard having been
previously tampered with by the Borg in the TV show. But all we
really get to see of this is a quick flash back of him having a drill
stabbed into his eyes, which coincidentally reminded me of what it
felt like to watch Star Trek: The Motion Picture. But
to somebody that's only watching the films this aspect is a little
confusing, especially considering it adds basically nothing to the
story except occasionally making Picard angry for no real
reason. But if you can all recall, it really only takes the sight of
James Cordon hosting an award ceremony to make Patrick Stewart angry,
and I didn't need to watch a TV show to understand that. It was
pretty fucking obvious that he was pissed.
In
fact, the whole movie kind of just felt like a big-budget episode of a
TV show really, with its only claim to being cinematic being that
it's a TV show that's dressed up in sci-fi clothes. So, you get a
couple of space-based dog-fights and explosions that cause people to
comically trampoline around the Enterprise Bridge as though they're
the silhouetted ladies from the opening titles to a Roger Moore Bond
film. But it really doesn't look like a movie. I mean, even in terms
of design you can tell that the Shatner films originate from a 60's
sensibility, because everything is made of lava-lamps and would be
pretty fucking fun to stare at when stoned. However when looking at
everything here, the only real thing that dates it to the 90's is the
ageing CG and that last few survivors of Patrick Stewart's hair. Oh,
and as much as I do love Stewart, to somebody with my experience of
Star Trek, this crew
just really doesn't feel as iconic as the big-eared Spock or the
sausage-shaped Kirk.
Having said all that, I did enjoy First Contact for what it was. The Borg's Queen was a cool character, although when she announced that she “brings order to chaos” it made me see her as less as a villain and more as the woman who could sort out the queueing system at my local chippy. Oh, and I do like Data too. At one point, and despite being a robot, the Queen asks him how long it's been since he last got laid, to which he responds “Eight years, seven months, sixteen days, four minutes, twenty-two seconds”. It's getting depressing how much I relate to him. Still it's enjoyable to see him essentially deconstruct humanity by trying to understand us. And it was fun to see James Cromwell pop up in this too. He plays a drunken rocket-scientist that spends a lot of his time chasing after whatever woman he can spot. If I have to watch James Cromwell being overly interested in a tasty babe then I definitely prefer Star Trek: First Contact to fucking Pig In The City.
Having said all that, I did enjoy First Contact for what it was. The Borg's Queen was a cool character, although when she announced that she “brings order to chaos” it made me see her as less as a villain and more as the woman who could sort out the queueing system at my local chippy. Oh, and I do like Data too. At one point, and despite being a robot, the Queen asks him how long it's been since he last got laid, to which he responds “Eight years, seven months, sixteen days, four minutes, twenty-two seconds”. It's getting depressing how much I relate to him. Still it's enjoyable to see him essentially deconstruct humanity by trying to understand us. And it was fun to see James Cromwell pop up in this too. He plays a drunken rocket-scientist that spends a lot of his time chasing after whatever woman he can spot. If I have to watch James Cromwell being overly interested in a tasty babe then I definitely prefer Star Trek: First Contact to fucking Pig In The City.
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16 July 2016
Star Trek 7: Generations
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So
this is the film in which Kirk and Picard manage to team up after
Kirk is struck by what I'll call some 'contrivance-lightning' that
conveniently sends him into the future. Although if you've been
watching these movies chronologically, you can see that age alone has
already been sending Shatner into the future pretty fucking quickly.
Moments before this happens, a retired Kirk was doing a tour of the
Enterprise when things went a little titties up. They attempt to save
some other ships from a weird space-cloud by arriving with only
seconds to spare and getting themselves instantly stuck in it too.
That's not the mistake, though. I mean.. that's just stupidity. I guess
you can't expect these people to be.. you know.. rocket scientists.
The mistake is that, of the few people they manage to rescue, one of
them is Malcolm McDowell. Because he's never played a crazy before,
has he? Well except in every other fucking film he's ever appeared
in. McDowell plays a creature here that's able to live an
extraordinarily long life and so is able to survive travelling into the future
to piss about with Picard. I mean, McDowell's rotting haggardy face
certainly screams “man who refuses to die”. And to think, all it
took to look the part was a decade-long smack habit.
So was it shit or not then?
Well
I was excited to see this movie because I really wanted to see
Shatner act alongside Patrick Stewart. I mean, I'm fans of them both
however in terms of their style, I imagined it'd be as weird as a
comedy double-act featuring Doug Stanhope alongside Barry Chuckle.
And I was right. Stewart is doing his usual thing of drawing on his
Shakespearean background whereas Shatner is fighting against the
giant throbbing cock of self-parody. I was right; it was weird.
The problem is that, as combinations
go, it wasn't the good kind of weird, like sticking pineapple on a
pizza, but rather the bad kind like you know.. sticking a good actor
alongside William Shatner.
It doesn't help either that the film takes fucking yonks to build up
to this moment, and then when it happens it's a bizarre mix of strange
and boring. Because rather than being sent directly to the future,
Kirk is living in a dimension in which he's living out an idealised
version of his own life and that the future simply has access to.
When we meet him, he seems excited because in this existence his dead
dog is alive again. And it seems to be alive simply because he loved
it so much. That's nice. I mean it's a shame that he seems to have
forgotten about his dead son, but oh well.
And then we get to the death of Kirk, which is one of the least
dignified conclusions since I was in school and I noticed that one of
the other kids had finished a run after soiling himself. Kirk has to
be one of the most iconic pop-culture characters of all time, and he
dies simply because a crappy metal bridge collapses with him on it. I
mean, I know he's put weight on over the last few films, but still. I'd
say the character deserved more than that, especially seems as he adds
pretty much nothing else to the plot at all. It's as though the
movie only exists to have the two captains together and give one a
good send off, and yet where these two's goals are concerned, the film is
sadly like my school chum's post-run arse-hole, because it completely
failed.
The rest of the film is also pretty forgettable with the exception of a sub-plot involving Data. He's a robot that accidentally fucks up an upgrade that was meant to have him feel emotions. The result is that, like this film as a whole, his mood is all over the place. I did find the way in which he'll go from laughter to the verge of tears in the space of a second pretty funny though. Although that could simply be because it reminded me of my Mum after a drink.
The rest of the film is also pretty forgettable with the exception of a sub-plot involving Data. He's a robot that accidentally fucks up an upgrade that was meant to have him feel emotions. The result is that, like this film as a whole, his mood is all over the place. I did find the way in which he'll go from laughter to the verge of tears in the space of a second pretty funny though. Although that could simply be because it reminded me of my Mum after a drink.
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15 July 2016
Star Trek 6: The Undiscovered Country
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The
Klingons are about to become our friends after years of constantly
getting their head-fannies in a twist. In response, the Federation
holds a top-secret meeting to discuss the future. Oh, but Scotty's
there, by the way. Because if you're holding a top secret meeting
about the future of galactic politics, you'll definitely need a ship's
engineer there. When the Berlin Wall came down I'm pretty sure that
there'd have been room for a car mechanic around that Dr
Strangelove-style table at The Pentagon. The Federation decides that
Kirk is to meet a Klingon leader and escort him back to Earth to join
in negotiations. This is despite Kirk still being a little
space-racist towards the Klingons for murdering his boring son a few
movies back. We know this because Kirk says it out loud whilst alone
in his bedroom. I guess he has nothing better to do than talk to
himself whilst walking around a spaceship as it travels around the
galaxy.
Anyway,
despite Kirk being on his best behaviour, things do go titties up when
most of the Klingons are murdered and he finds himself framed for
it. A murder mystery type plot then begins in which Spock tries to
decide which of the Enterprise crew may be the actual culprits in
order to clear Kirk's name. Could it be their friend Uhura? The
trusted Chekov? What about Scotty? Surely at his weight, the only
thing that he could murder would be a bacon fucking butty. Okay.. so what
about the new recruit played by Kim Cattrall? You know... the one who
it most definitely is? Hmm, I guess you'll have to watch and see!
So was it shit or not then?
Beyond
anything, this entry probably has the best cast of any of these movies
so far. I mean, Christopher Plummer plays a patch-wearing Vulcan as
the villain, and who doesn't love watching Christopher Plummer? Plus,
if you need your movies villain to be a dick then you can certainly
do worse than a one eye'd alien with a pink head. As mentioned, Sex
And The City's Kim Cattrall also pops up making this her first
appearance in the spin-off movie to a long-running TV show that
refuses to acknowledge the ageing of its cast. Although that's
probably being a little unfair. Not on her, but on this film which for
the first time has Spock say to Kirk “Have we grown so old that
we've out-grown our usefulness?” in a moment of poignant
brilliance. It's just a shame that it's taken six films and God knows
how many tight leather belts to get to it.
As
is always the case with the Star Trek films,
there's an obvious but admirable subtext here in the way that its
story paralleled the recent end to The Cold War. Although fuck that,
the movie also features a scene in which Kirk fights an alien that
takes on his appearance. I'd argue that that was the most
unbelievable part of the franchise- that any creature would willingly
look like a portly old Kirk, but who can be cynical with two
Shatners on screen? That also means that the veteran Trek
actor is now in the same club as
such esteemed actors as Dead Ringers' Jeremy
Irons, Legend's Tom
Hardy, and Double Impact's Jean-Claude
Van Damme. In fact, Kirk V Kirk aside, this entire scene is pretty
enjoyable as it also features the widest range of visually
interesting aliens seen in the series so far. The only thing that
worried me is that it's set in a prison called Rura Penthe. When Kirk
was sentenced to “hard time” there, I misheard Rura Penthe as
"Uhura's panties" and at their age, I really didn't want to see that.
Is
this film worth watching? Well, yes. I'm watching them in order of
their release and so far it's the best since Wrath Of Khan.
Plus Plummer's villain is
constantly quoting plays such as Julius Caesar and
Hamlet. So regardless,
I'd say this movie is worth seeing simply for being a Star
Trek film that's co-written by
William fucking Shakespeare.
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14 July 2016
Star Trek 5: The Final Frontier
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The
main story kicks off in a place called Paradise City in which some
Jesus like figure has started causing some shit. I mean I say
Paradise City.. I'd always been led to believe that the grass there
is green and the girls are pretty. However it seems that in reality
it's actually a desert and so the grass is dead and the girls aren't
so much pretty as they are three-titted cat people. Still, the crew of
the enterprise turn up here to try to solve the trouble regarding the
Jesus character. His name is Sybok and it's claimed that he can “put
you in touch with feelings you never previously knew you could
express”. So, basically he's the alien equivalent of a love-egg.
So
the crew arrive and Sybok takes over their ship and forces them all to
go on a trip with him to see God. Long story short.. Kirk's not into
that shit and so when presented with the face of The Almighty, he decides
that the best thing to do is to start a big old slanging match. At
one point Sybok offers to help remove Kirk of anything that might
bother him, to which he screams “I need my pain!!”. Not sure what
he's referring to here but I'm guessing it's probably his cholesterol
levels.
So was it shit or not then?
Erm..
well, the movie started pretty terribly in which we see Shatner's Kirk
climbing up a huge cliff-face for fun and without any safety ropes. I
mean, considering his size and age, this is something that could only
realistically happen the day pigs fly.. admittedly, for a split second
I thought that was what I was actually seeing. When asked why he felt
the urge to do this, climb Kirk replied “The most important reason
as to why we should climb a mountain is because it's there”.
Presumably he has a similar policy when it comes to eating some
lovely, lovely cake. Although honestly I think the worst bit about
this scene is its attempts at humour which then continue throughout
the entire movie and is honestly about as painful as a Vulcan
death-pinch to the dick.
Actually,
speaking of pain, one of the things I did like was the make-up of the
Klingons, and that's even if they are basically just browned-up
people with a stitched-up vagina glued above their face. After having the
last two films directed by Nemoy, this is the first to be attempted by
Shatner. And to be fair, although it is sort-of rubbish, I do admire
the way it decides to tackle religion. Even when presented with the
face of God, the crew remain logical and talk shit to it rather than
simply dropping to their knees and grovelling. Although that could be
because if this ageing cast dropped to their knees then I'm not quite
sure they'd be able to get back up again.
In terms of direction, I actually don't think that Shatner did a bad job. Nor do I think he did a bad job in terms of finding a theme for the movie. The problem is with the script, which could have done with a few more drafts. I hear that the budget was cut for this movie which may be the cause of the situation, but I suppose that catering just isn't going to pay for itself. There's a contrived twist involving Spock's family that I didn't need, and despite its mostly crap humour, there's a scene in which Bones euthanises his own father which got a bit fucking dark. However simply due to its promotion of rational thinking in the face of religion, I think that this entry is definitely worth a watch.
In terms of direction, I actually don't think that Shatner did a bad job. Nor do I think he did a bad job in terms of finding a theme for the movie. The problem is with the script, which could have done with a few more drafts. I hear that the budget was cut for this movie which may be the cause of the situation, but I suppose that catering just isn't going to pay for itself. There's a contrived twist involving Spock's family that I didn't need, and despite its mostly crap humour, there's a scene in which Bones euthanises his own father which got a bit fucking dark. However simply due to its promotion of rational thinking in the face of religion, I think that this entry is definitely worth a watch.
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William Shatner
13 July 2016
Star Trek 4: The Voyage Home
Star Trek 4: The Voyage Home - What the fuck is it about?
In the future, mankind has hunted all whales to extinction which is awkward because an angry alien thing has just turned up assuming whales to be Earth's dominant species. So after they investigated some blue space-mist in the first film, dealt with the wrath of Khan in the second, and resurrected Spock from a dying planet in the third, there was really only one obvious story that this fourth movie could tell. Kirk and his crew must travel back in time to the 1980's, steal a couple of whales from SeaWorld, take them back to the future and then have them tell the angry aliens to 'piss off'. Talk about cliched! It's also worth noting that the movie begins with the crew in exile after the shit they pulled previously. Shouldn't be a problem for them though really, considering that's where most of the cast spend their time when not making these movies.
In the future, mankind has hunted all whales to extinction which is awkward because an angry alien thing has just turned up assuming whales to be Earth's dominant species. So after they investigated some blue space-mist in the first film, dealt with the wrath of Khan in the second, and resurrected Spock from a dying planet in the third, there was really only one obvious story that this fourth movie could tell. Kirk and his crew must travel back in time to the 1980's, steal a couple of whales from SeaWorld, take them back to the future and then have them tell the angry aliens to 'piss off'. Talk about cliched! It's also worth noting that the movie begins with the crew in exile after the shit they pulled previously. Shouldn't be a problem for them though really, considering that's where most of the cast spend their time when not making these movies.
So was it shit or not then?
Well,
it could be said that this is the moment that the franchise jumped
the shark. Or considering at one point that Spock dives into the
Seaworld tank to ride one, perhaps a more apt phrase would be 'it
fucked the whale'. Though you know when an idea is so stupid that it
actually becomes kind of brilliant? Well, this is one of them. The
best sci-fi is actually a comment on modern day society anyway so why
not just save time by having your sci-fi characters actually come to
modern day and simply comment on it? Particularly when it's as
legitimately fucking funny as this. I also liked that it had a proper
full-on eco-message. I mean, most comedy movies aren't even funny, let
alone actually funny and with some degree of subtext. Admittedly the
subtext is about as obvious as how fucking old the actors are
becoming, but at least there's no denying it's there.
Actually
if I'm being honest, my biggest criticism isn't anything to do with
the ridiculous story at all but probably is in the state of the cast.
At this point they're all clearly getting on a bit, but rather than
letting them appear as their actual age, the movie attempts to
convince us that they're all still young. I mean, Sulu has so much
make-up on his face that for the first half of the film I just
assumed he was some random fucking geisha.
Even Shatner is starting to resemble a cross between a clown and a
prostitute. That belt of his is looking tighter, too. Does the plot
revolve around them looking for whales just because they wanted a
species to make him look thinner? Usually it's the character wearing
a red shirt that's going to die but a fucking bright-red face can't
exactly be a good sign. Also at four films in, Uhura still hasn't done
that much. I appreciate that the crew is made up of all various
nationalities and so obviously has a liberal left leaning view for
the time, but everybody has their moment to shine in these films with
the exception of the only woman. I doesn't help the point either that
her name basically sounds like "A whore? Urgh”.
Anyway.. Is this film worth seeing? Absolutely. Even if you haven't seen the previous three then it works as a decent enough comedy as it is. Sure, the cast look a little bit like they've been drawn onto a stretched out ballsack, but they're still all really funny.
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12 July 2016
Star Trek 3: The Search For Spock
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I
mean the story for this film is pretty obvious I suppose, considering
the title is 'The Search For Spock'. Although I still think
that a better title would have been Star Trek 3: Finding Nemoy.
The previous film ends with Kirk
shooting Spock's dead body out of the Enterprise, jettisoned towards the
planet Genesis. It was the perfect blend of sci-fi, funeral, and
fly-tipping. Coincidently, the planet in question has an atmosphere
that apparently allows things to come back from the dead, which is
lucky. Somebody should book a flight to it for Lindsay Lohan's
career. Before Spock died, he conveniently popped his memories
into Bones' head, which was also pretty lucky. It was basically like saving
onto a USB a few seconds before your computer crashes. Kirk discovers
this when he finds McCoy acting as though he's been possessed whilst
sitting in Spocks bedroom. To be fair, I suspect that the odder of
Star Trek's fans have done
much stranger things in their rooms with their Bones.
The mission therefore is to travel to Planet Plot Contrivance where
Spock's body has been resurrected and plonk his memories back into his
head. Did I mention that Spock is a child now? No? Well, he is. The
planet brought him back as a kid because it somehow knew that Nemoy
was directing and wanted to save him the job of acting too. Honestly,
this planet is so useful. If only it had written the script to the
first fucking movie too!
So was it shit or not then?
With
this, it was as though they'd turned my dead Granddad into a movie. I didn't love it, but you know.. I didn't hate it. The biggest problem
that the film really has is that it seems to exist exclusively as a
way of un-doing all the drama of the previous movie. Kind of in the
way that the X-Men franchise now seems to exist with the sole purpose of undoing the events of X-Men 3. The
main difference obviously being that, unlike X3, Wrath of
Khan wasn't a steaming puddle of
piss. Actually, speaking of X3, do
you remember when McKellen gave the shittest ever delivery of the
phrase 'what have I done'?! Well, it turned out that Shatner actually
had him beat all along. Kirk witnesses the Enterprise explode and
attempts that line with the same level of bored emotion that I have when holding a conversation with my family. Having said that, it's kind of a shame that
Shatner has now descended into tedious self-parody because he's
actually pretty good in these. Well, there is another moment in which
he reacts to the death of his son in the style of Jim Carrey shitting
his pants, but I guess nobodies perfect.
I did like this film too, to a degree. I was really excited to finally
see the Klingons and even more excited when I found out that the main
one was an angry Christopher Lloyd looking like he'd smeared himself
in shit and then rolled about on a barbershop floor. It was fun
watching the young Spock grow up over the course of ninety minutes
too which is something that the average Star Trek fan hasn't managed in up to
fifty fucking years. The theme of movie is regarding how far friends
will go for each other and here we learn that if one friend assumes
another friend is dead and then finds out that he was wrong... he'll
go and pick him up. I'd like to think that I have friends that would do
that for me. So poignant.
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11 July 2016
Star Trek: The Motion Picture
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The
film begins with both the Vulcans and the Klingons speaking in their
own language and so I didn't really know what the fuck was going on
to be honest. I was about fifteen minutes in before I realised that
the DVD I was watching had expected me to manually select the third
option of English subtitles on offer in order for me to have the
alien gibberish translated. I mean why the fuck wouldn't it just have
that on automatically? Does it really expect the average fan to be
fluent in both fucking languages? ...Actually I've seen some of the fans
of this series.. fair enough..
The
movie involves the crew from the TV show all getting back together
for a mission in which they are required to investigate a suspicious
blue cloud. Wow. The movie assumes that you'll already know who these
characters are and are happy to spend a good thirty minutes watching
them do sweet fuck all. I mean, literally nothing happens for so God
damn long. There's a scene in which Kirk lays eyes on the Enterprise
for the first time that lasts longer than some amateur pornos do.
That reference is actually particularly apt because throughout this
scene, Kirk is giving the ship a look that suggests that the moment
everybody's back is turned, he's almost definitely going to try and fuck it. Kirk looks at that ship in the same way that a sailor
looks at a woman after returning home from months at sea, then
heading straight to the nearest titty bar.
So was it shit or not then?
Yes. Yes it was. This was literally one of the most boring movies that I've ever seen and speaking of amateur pornos I say that as somebody who has seen that shit Paris Hilton video. You know the one in which she kind of just bounces up and down with glazed over eyes as though testing the worlds shittest spacehopper. If Inglorious Bastards is to
be believed, film is insanely flammable and there was a lot of names
on the credits to this movie.. you'd have thought at least one person
would have realised how long it was running on for and so thrown a fucking
cigarette into whatever room in which the dailies are kept. Even if
the resulting fire burnt for seven long days, you'd still be left with
enough footage to make a ninety minute film. The special effects have
dated pretty badly too. I'm guessing the budget was pretty small for
this movie because the whole thing consisted mostly of people talking
absolute bollocks on the bridge whilst occasionally cutting outside
for a shot of the ships. Except, the ships are obviously models and
the shots last so long that it just feels like you're trapped in some
fat nerd's bedroom as he shows you his fucking toy collection.
Oddly
this movie was directed by Robert Wise who you may know from his 1965
masterpiece in which he had Julie Andrews dressed as a Nun. Although
Star Trek: The Slow-motion Picture, as
it's been dubbed, is less The Sound Of Music as
it is the sound of fucking silence. If you don't own this movie but
want to replicate the experience of watching it then simply imagine
the plot to Solaris, 2001: A Space Odyssey, and
John Carpenter's Dark Star, though as
if it was dumbed down by some boring old bastard. I guess I liked the
effects of the alien ship within the blue cloud, but that's only
because it had a feature that looked like a pulsing anus and I was
really searching to find things that were entertaining. Oh, and for
the record.. some of the extras were wearing jumpsuits that were way
too tight for them. I could literally see their dicks.
Labels:
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17 November 2014
Crazy As Hell
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There
are two directors with similar names and who have had two very different
careers. The first is Paul Thomas Anderson and the other is Paul W.S.Anderson.
Paul Thomas Anderson is the man behind such masterpieces as There Will Be Blood and
Magnolia whereas W.S. Anderson is responsible for such shite as AVP: Alien Vs.
Predator and the ball-haemorrhagingly dull Resident Evil. Anyway, so if you too
find it difficult to keep track of which is which, I have a handy little tip to
help you remember. Just imagine that P.T stands for Pretty Terrific whereas as
W.S stands for Wanky Shit. It works for me, so you're welcome! Anyway- bearing in
mind that I know the poor fucker as Paul Wanky Shit Anderson, I was always
curious about his 1997 sci-fi film Event Horizon. There really is no denying
how crap his films are however this one seems to have become a bit of a cult
hit and not just in a The Room style 'what-a-load-of-shite-that-is' way. Not only
that but I listen to a lot of podcasts because they're easier to deal with than
real friends and Empire Magazine's one bangs on about this film almost every
week. I therefore decided to gamble an hour and a half of my life on their
recommendation... Although fuck it, I'm single so it's not like I had anything
better planned than tossing off and having a cry.
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20 May 2013
John's Got The Hump
Despite ranking a toxically high 9.7 on the
geek-o-meter, I've never gotten into the original Star Trek from the
60's. From what I've heard though, the biggest difference between the main
series and the new films is the level of action on display. Apparently the show
was less about kicking people in the throat and more about philosophising and
exploring humanity’s big ideas. Having said that however, there is a clip on YouTube
of Shatner's Kirk on all fours pretending to be a horse whilst a dwarf rides on
his back. I'm not sure what idea they were exploring here as I'm not sure of
the context. Perhaps this is a deep metaphorical investigation into the works
of Bertrand Russell or Rene Descartes, however when I see Kirk galloping about
all I can think is what a stupid Kant. Having said that there's a part of me that would now like to watch the original
show if only for the sake of irony. As though he's a cosmic Roger Moore, the
idea of watching Kirk explore a 60's vision of the future and fucking anything
with a pair of tits sounds like fun to me.
Released in 2009, the film Star Trek took
the series out of the nerds’ bedrooms and made it cool enough for the rest of
the world to enjoy. For some reason though, a lot of them seemed to hate it
because, “it changed too much from the originals”. But the way I see it, they
should be happy because the franchise was successfully rebooted in a way that
didn't erase everything that they'd loved from the current cannon. Also by
being set in an alternate timeline, these new films also avoided the
main prequel problem of there being no real threat because it's obvious the
characters will survive into the original films. Maybe I'm not a
Trekkie/Trekker but I am a fan of Star Wars and until your franchise is
rebooted with a massive fucking racist Jamaican Gungan thing, I've really got
no sympathy.
| "I knew I shouldn't have studied rocket science..." |
So before we go any further, I guess I
should say that I really loved this film. From the moment it begins to the
moment it ends it is just non-stop action. It's as though it was conceived in
the racing mind of Oscar Pistorius whilst he enjoys a domestic shoot-out with
the missus. However this relentless spectacle, as enjoyable as it is, is possibly
one of the movies bigger problems. After watching Iron Man 3 last week I
was reminded of just how big a fan of Shane Black I was and so began revisiting
his older films. I also slightly lowered my mandatory four hours a day criteria
of porn browsing in exchange for finding old interviews with him in which he
talks about screenwriting. When asked about the state of the modern action
movie he claimed that they were all a bit crap because there's no downtime.
Instead, blockbusters these days try to simply deafen the audience by shouting
at them for two hours. This is definitely the case with Star Trek Into
Darkness which really cuts out the character moments and emotion of its
predecessor in exchange for making things go bang a lot of the time. Having
said that, there is a slightly hammy but enjoyable little speech by Cumberbatch
in which he seems to accidentally morph into Alan Rickman.
In fact, the comparisons to Rickman don't
end there with this film also suffering from the same minor problem as Die
Hard. Like Hans Gruber, John Harrison is so charismatic and cool that
despite the general dickishness, you can't help but find yourself occasionally
rooting for them. I know I just criticised the movie for having too much action
but the scene in which Harrison shits all over a gang of Klingons is still
pretty cool. I also thought that one of the final fights between Harrison and
Spock was pretty funny considering the size of their body frame. Back in the
80's action movies were dominated by giant hulk-men whose brains where the size
of their steroids-shrunk cocks. Cut to only a few decades later and the
beeftards have been replaced by two lanky nerds kicking the shit out of each
other. Not only that but the film also features Peter Weller and Karl Urban
meaning that director J.J Abrams decided to have his scrawny man-slap instead
of a much more epic fight between Robocop and Judge Dredd.
Anyway so we're heading into spoilery
territory now so it's about time those who are yet to see the film went for a
wander. For the rest of us I'm sure it was a huge surprise to discover that
Harrison was actually the series’ main villain of Khan all along. Of course
though, by ‘huge surprise’ I mean completely fucking obvious thanks to IMDb
thoughtlessly listing the name on their bloody cast list. I'm putting it out
there that, that may be the most annoying thing since I asked my Dad if Se7en
was any good and his response was, (spoiler alert), “Is that the one that ends
with Gwyneth Paltrow's decapitated head in a box”. It took me years to get my
revenge on him for that but eventually I seized my moment and locked him in our
attic without food and only an angry wasp for company. True story.
For those who don't know, Khan is one of
the big baddies of the original Star Trek world and was unsurprisingly
the villain in the supposedly brilliant Star Trek 2: Wrath of Khan. Personally
I've not seen that film but I hear good things about it. From what I do know
though, things are the reverse to Into Darkness with the original killing
off of Spock instead of Kirk. This of course results in Shatner calling on all
of his acting powers to famously scream, “Khaaaaaaaaaaan” with all the anger of
man who’s being forced to hold in a particularly rebellious ands jagged
shit. From what I do understand though,
the original at least had the balls to kill off Spock and keep him dead until
the crappy sequel. In this film sadly, I don't think that anybody is under any
illusion that Kirk’s death will be any more permanent than his earlier
demotion. Near the start of the film, Kirk is fired, demoted and then promoted
back to Captain with so much speed that that if you popped out for a piss you'd
have missed it. On the brightside though it's good to know that thanks to Kirks
pogo up and down the career ladder that by the year 2259 we'll have finally
solved this recession. With all the warring alien races, that's at least
something to look forward to.
| I heard the supermarket is hiring... |
I guess that's pretty much everything I've
got to say on Star Trek Into Darkness. I've been writing for too long
now and I'm kind of feeling ill after eating an out of date tube of Pringles.
Obviously this film gives me even more faith that Star Wars Episode 7 will
be great, with Abram’s main skill being to dish out nostalgia for things you're
seeing for the first time. Actually if you want a tip, you should go to the
bookies and bet money on Benicio Del Toro being the next Star Wars
villain. Considering he almost played Khan here and Darth Maul in Episode 1,
I reckon he's a dead cert. You heard it here first! Anyway I think I'm going to go and be sick now. Although in case you didn't believe me earlier about Shatner being ridden by a
midget then here it is for your viewing pleasure...
http://www.youtube.com/watch?v=avTfiRccYIA
Follow this blog or I'll fucking cut you.
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