Another Drop Kick To The Heart

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Pixar films are great because you can take a first date to see one and if they're not in floods of tears by the end then you know they're likely to be a fucking sociopath and you're in danger. Not that I go on many dates, of course. The only chance I have to meet people is through Tinder and recently I've been left swiping on everyone like a motherfucker because I've started getting off on the idea of being the one that rejects them for a fucking change. So even though Pixar's latest Onward is quite clearly a children's film, I ended up going to see it alone. Which is fine. I'm aware that in a row of parent, child, parent, child, parent, child, me, that I must look like a nonce. But I also don't want people disturbing me when I'm at the cinema and so I'm quite happy to have children be told not to go near “the bad man”. Still. I probably shouldn't be getting my dick out even if it is just to maintain that illusion. I went into this movie pretty blind having avoided all trailers and reviews and so I wasn't sure what it was going to be about. As it turns out it's a fantasy film that takes place in a world that's relatably our own but where magic is treated as being part of the mundane. Imagine The Lord Of The Rings but if the Hobbits were stopping every few miles to brag about how many steps that their fucking Fitbits were up to. Or the Narnia movies if Edmond had to ram his fingers down his throat because he'd eaten too much Turkish Delight and his Instagram followers were commenting that he was becoming a fat prick.

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With Another Reboot Comes Great Responsibility

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It seems that these days Spider-Man reboots are a bit like people called Dave.. there's just so fucking many of them. After Sam Raimi's third Spider-Man threw so much shit at the wall that it ended up choking to death on the fumes of its own ineptitude, we got The Amazing Spider-Man. Andrew Garfield's Peter Parker was okay, with the biggest problem being that he was playing a high schooler that looked old enough to be a Junior Manager at a struggling PR company. You could almost hear him saying, “Lose the 'The' in The Spider-Man; it's cleaner”. However the biggest problem of that rebooted series was that it seemed like it had almost no understanding of the franchise itself. Christopher Nolan's Batman movies worked so well because he made a film that was completely in tone with its title character. However The Amazing Spider-Man failed because rather than looking at Batman Begins and making a film that finally fit their character, they instead looked at Batman Begins and simply tried to make Batman fucking Begins.