Showing posts with label nick cave. Show all posts
Showing posts with label nick cave. Show all posts

12 August 2013

Clawing A Way Back

Despite being in my mid twenties I'm depressingly still not able to grow facial hair. A full beard is completely out of the question and what I can get of a moustache is just embarrassing. Imagine the upper lip of a pretentious French child and that's kind of where I'm up to. Thankfully though, the one thing I can grow is a pair of meaty sideburns which I've insisted on sporting since first being raped by puberty. As a young teen I probably looked fucking ridiculous with my youthful complexion overshadowed by a hedge of spidery pubes that were sprouting out of the side of my face but I didn't care. I still have them now although I think that after about ten years of hatred my ageing face will have weathered enough to, hopefully, suit them. The problem was that when I was young my Mum hated them and I'm stubborn enough that that would be reason enough to keep anything. Nor did it help that to try and deter and insult me she once said, “You look ridiculous, you look like that bloody Wolverine”. Now, I know that I didn't look anything like him at all but as insults go my Mum couldn't have said anything that would make me want to keep my sideburns more that that.

I've been a huge fan of The X-Men since I saw the animated series in the early 90's and Wolverine has always been my favourite character. I guess when I was about three or four years old, I was the kind of cute little boy who loved nothing more than seeing a man stab people in the face with knives protracting from his knuckles. X-Men Origins: Wolverine was released a few years ago and was so bad that its was statistically more shit than an actual shit. Considering that X-Men: The Last Stand was also about as enjoyable as pouring vinegar into an open bollock wound, my enthusiasm for the franchise was sadly being replaced by apathy. With The Wolverine now on release I went to see it, although this time more for the sake of curiosity and hope than anything else. It might be receiving average reviews but I guess no matter how much disappointment a franchise might inflict, there's always going to be a toddler in me that's desperate to see a character that glorifies knife crime.
X-Men 3 was shit...

Like the rest of us, Wolverine is now suffering from the aftermath of X-Men: The Last Stand and is rightly living a life of shame. Haunted by memories of a woman that he loved and murdered, he's wandering the Earth like a wounded bear which might explain an early scene in which he meets an actual wounded bear. If you like your metaphors to be obvious and very annoying then this is the film for you. To cut a long story short, some old dying Japanese man tracks Wolverine down and drags him to Tokyo for a pre-death chinwag. Things don't go too well though and suddenly our snazzy haired anti-hero is wrapped up in somebody else’s shit which, despite being nothing to do with him, still results in several attempts on his life. As the film progresses it becomes very apparent that the message it's trying to convey is that 'helping people isn't worth the fucking bother'.

 Okay, so on the bright side I didn't hate The Wolverine but nor did I particularly love it. It is a text-book definition of an average film which to be fair is such an improvement over its predecessor that I think it actually deserves some praise for that. It's like when the thick kid spells his name right and you feel you should pat him on the back for managing not to dribble at the same time. Also, it's good to see that Wolverine is still so enjoyably cool that Hugh Jackman must get into character by smoking cigars rolled with John Waynes dead scalp. Not only that but since his sweary cameo in First Class, he hasn't half developed a fucking potty mouth on him. However sadly I would say that one of my biggest gripes with this film was in how for the majority of its running time he'd had his powers taken away from him. One of the main selling points of the character is surely his mutant healing abilities and so to remove them is slightly defeating the point. When someone punches Wolverine, I don't want him to wince, I want him to get angry and start smashing shit up like a drunk Mel Gibson during the Sabbath. I understand the logic behind him suddenly being vulnerable as supposedly it provides the film with a sense of threat. However does anyone really think that Wolverine is going to die? With the exception of Brandon Lee, there isn't a bullet out there that a studio would allow kill a main character in a valuable franchise.

"My garden needs tending!"
Many people have criticised the third act action sequence as being a bit out of place and although I kind of agree, I still loved every single fight in this film. The movie is composed of two elements - one part mystery and the other part action, but in honesty I think that it's the latter that's done much more competently. The drama kind of feels like a Chinatown for idiots whereas the fight scenes are actually pretty imaginative. For example there's an enjoyable scene near the end in which Wolverine is shot with so many arrows that despite dying and gushing blood from his back he ends up looking like Toy Story 3's loveable Mr Pricklepants. The films problem is therefore actually in its inability to blend its tone in a particularly un-obvious way. It doesn't help either that the end is completely obvious and the villains are a little on the shit side. I won't give away who the mysterious big bad is although anybody who doesn't work out their identity should probably think about waking up their brain from its forever-sleep. Plus there's another baddie here called Viper who spits poison, seduces strangers with a kiss and dresses in green. Short of having flowers sprouting out of her vagina, she's basically just Uma Thurman's desperately slutty Poison Ivy. I guess I'm not an expert but perhaps if comic book movies are going to start ripping each other off then maybe Batman and Robin is the one to avoid.

Still, like I said though, The Wolverine is an enjoyable but average film. It doesn't do anything spectacularly wrong and there's enough in it to make it worth at least two hours of your life. Unless of course you're dying and two hours is all you've got left, in which case I'd just crack on with the consequence-free rape and murder. The film has a strong main character, two well rounded female leads plus it makes good use of Japan as a location and culture. Oh but when I say, “well rounded female leads”, I should clarify that I do obviously mean it in terms of their depth and not as a smutty Roger Moore-esque one liner that refers to their tits. Film is a male dominated medium and so it's always nice to see some non-men get a look in too. Although having brought attention to it I'm sure that they do have nice tits as well. Personally I'd recommend The Wolverine to anyone who hasn't already seen it and I'm sure I'll end up buying the DVD. In fact, now I know it's just a guilty pleasure I'm kind of looking forward to seeing it again.

 Although whilst I've still got you here, I do have a slight theory. A while ago Nick Cave wrote a script that was meant to be a sequel to the film Gladiator in which Maximus was brought back from the dead and became a warrior through time. Is it just me or would this not have been a fucking amazing idea for a Wolverine movie? Just a thought, I guess. I suppose you could argue that, that idea was done in the opening credits of X-men Origins: Wolverine but that was a shit film that we've all forgotten and so should consider my suggestion an original idea. People think that the key tragedy of Wolverine is his extraordinarily long life which inevitably means that he's going to be suffering the loss of a lot of loved ones. But on the flip side to that it also mean he'll outlive a lot of people that he considers cunts. Finding out that someone you hate has died is always a good day if you ask me and I'm already well into preparing my, “Fuck You Piers Morgan Party”. However, for me the real tragedy of the character is that more or less nothing can kill him and yet he still mopes about looking like a fucking tramp. He could make a hell of a lot of money with some sort of Jackass style television show and from that point on live quite happily for the remaining centuries. I know money can't buy happiness but it can buy things that will make you happy, like medicine for sick children, computer games and a lot of cheap prostitutes. Anyway, as you can probably tell I'm never sure how to end these blogs so lets just save me three hours of struggling and say it's ended now. Blog has ended, see you next week and good bye!

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16 September 2012

Kicking Against The Pricks


Prohibition was introduced to America in 1919 and is probably one of the most famous examples of a large-scale fuck-up in recent history. I fucked up once a few years ago when I accidentally crafted myself a homemade bomb. My granddad had just died and left me a gold ring which someone suggested I should wash. Their reason was that he may have had it on whilst having a wank... all very plausible, I suppose.

Cleaning newly-deceased granddad spunk off from jewellery is not something I'm an expert at so I decided to get creative. I popped the ring into a flask, filled with boiling hot water and introduced a little washing liquid. I then put on the lid and shook it to mix the bubbles. The bubbles quickly expanded, the pressure increased and the flask exploded into tiny pieces like a watery fucking pipe-bomb. I then had to quickly clean everything up before my Mum came home- nobody wants to have to tell a parent that they, “made a bomb whilst trying to clean up dead-granddad's jizz” so I sprang into action. I couldn't vacuum flask shards because the carpet was too wet so I started to dry it with a towel. Annoyingly though this just made the washing liquid froth up like I was at a fucking foam party. Just when I thought I might get away with it, my hand began to burn. When the flask exploded I'd scolded myself and within a few minutes the skin from my knuckles had completely peeled away.

I'm not suggesting that my adventure into the world of home-made explosives was as stupid as prohibition but both are clearly moronic situations. I'm not sure why America decided to ban the selling of alcohol but I bet it's got something to do with outspoken religious people. As a result of this, the consumption of booze in certain major cities actually increased and organised crime became a much larger, powerful threat to the nation. Like with my bomb incident, somebody decided to fix a non-existent problem and ended up creating an even stupider situation. I had to go to the doctors in the end and tell him that I'd tried to make a cup of tea and instead poured boiling hot water over my hand. I'm sure it took a lot of professionalism for him to simply not diagnose me as an 'incurable stupid, fucking retard'.

There have been many films over the years that deal with the organised crime that thrived as a result of prohibition. One of the most famous is of course The Untouchables in which Sean Connery played an Irishman from Scotland and Kevin Costner played a man with all the charisma of a cardboard dildo. The most recent to be released however is Lawless which was directed by John Hillcoat and written by Nick Cave. Apparently the script was based on a book if anybody remembers those. They're basically what people were forced to use instead of televisions before the invention of any technology whatsoever.

Set during The Depression, this film tells the true story of three brothers who earned a living through bootlegging. They were basically the weed dealers of the 1930's by selling a relatively harmless product to a public of responsible adults. With Shia LaBeouf as the youngest brother in their gang, the story is mostly framed by his desire to be taken seriously and given proper respect. Ironically that is presumably also why the actor is now appearing in films like this and featuring naked in pretentiously awful music videos. Although, if I'd been in Transformers: Dark of the Moon I'd probably walk around with my cock out crying to Sigur Rรณs too.

The older of the three brothers is played by Tom Hardy who mumbles his way through scenes like a big, pink Hulk. His role here is a matriarchal one, as like a giant Mummy Bear he watches protectively over his family. In fact, most of the film's highlights are when he snaps into action and starts stabbing people in the head and cutting off their bollocks. His character also wanders the movie refusing to die despite receiving potentially lethal injuries on several occasions. It's said in the film that he is an immortal and like Superman or Keith Richards, it certainly looks that way.

The third brother played by Jason Clarke is unfortunately not well known enough for his own story and so simply pops up as a sidekick now and again. If the film has any problem, it's in the characters that it accidentally neglects which, as well as Jason Not-so-Famous, also includes Gary Oldman and Mia Wonderland.

The main antagonist of Lawless is easily Guy Pearce who minces into the story like a pantomime psychopath. His mission to enforce prohibition requires him to stop the bootlegging business of the three brothers which he attempts to do with extreme force. It's hard not to be instantly drawn to a villain that seems to be part Harry Callahan and part Danny LaRue, but Pearce's character represents another of the film's issues. For the most part, the movie is a fairly grounded gangster/western with several gritty performances and a clear eye for period detail. By appearing as a demented member of the Village People, Pearce's performance appears slightly jarring. Having said that he does hint towards what he could have done as The Joker if cast in one of Nolan's Dark Knight movies. As Jeffrey Dahmer and Michael Barrymore have proved, there is nothing more creepy than a sinister gay.

If there was a reason to be excited by Lawless however, it was in the repairing of Nick Cave and John Hillcoat. The two previously collaborated on the Aussie western masterpiece, The Proposition and the end of the world joyfest The Road, for which Cave supplied the soundtrack. Being a generally hate filled person, I am of course a huge fan of Cave's music which includes such romanticised lyrics as, “They found Mary Bellows cuffed to the bed,
with a rag in her mouth and a bullet in her head” andI'm a bad motherfucker, don't you know. And I'll crawl over fifty good pussies just to get to one fat boys ass hole”.

The music to Lawless is predictably brilliant. Despite being covers of songs from other artists, it's interesting to hear how a couple of them could easily fit onto the Pat Garret and Billy the Kid soundtrack. Since The Proposition, it seems to me that John Hillcoat could be our generation's Sam Peckinpah and now with Lawless, this still seems true. Both men make films about struggling masculinity in a nihilistic world and infuse them with a smothering sense of melancholia. They also deal with characters who have to bend their own morality to survive amongst the violence and brutality. I guess the difference would be that Hillcoat has the taste to allow his rape scenes to take place off screen. It's not that I'm against rape being graphically depicted and I do think Straw Dogs is a masterpiece. But I watched that scene with a couple of mates once and one of them squirmed about in an uncomfortable way that suggested he probably had an erection. Firstly, any film that puts my friends into heat makes me feel awkward, secondly a graphic rape scene shouldn't really result in a sweating chubby.

Unfortunately Lawless doesn't quite reach the brilliant heights of The Road or its brother film The Proposition, however that's not to say it isn't still great. LaBeouf's acting has been turned up a notch and even if he can't quite match the giants of Hardy and Oldman he clearly has a good old try. Apparently he's recently decided to become a method actor which means he's grown a beard and started sporting crappy looking knitwear whilst out in public. For Lawless, being a method actor led him to go out of his way to track down and drink some actual moonshine. I say that as though it's meant to be impressive but lets face it, it's really not. Plenty of people have to get pissed to go to work. I once genuinely found a teacher locked in a classroom, face down on a desk and with a bottle next to her drooling face. The only difference between her and LaBeouf is that he's on a better wage and she was responsible for a class of school children. In hindsight she could probably grow a better beard than him too.

Regarding LaBeouf's character I did actually notice something strange. There were several occasions when he'd had the shit kicked out of him and was left bleeding and broken. Presumably this was either for his character's outlaw ways or simply the actors association with Michael Bay's mechanical movie bollocks. After leaving the scene a blooded mess he would arrive at the next one without a fucking mark on him. Now either this is a rather obvious continuity error or his character has healing abilities as powerful as Jesus H. Christ. If it's the latter, then Lawless is officially the best Wolverine prequel I've ever seen.

Superpowers aside, the film is unfortunately a little cliched, not really adding anything new to the genre. It's still a good ride while it lasts however, and so certainly worth a watch. Highlights include a character getting his throat slit and Gary Oldman twatting somebody in the face with a shovel. With the world currently in an economic shit heap, you could look at the political relevance of a film that depicts depression-era ingenuity and corruption within the system. But really who can be fucked doing that with a movie that features a man getting boiling tar poured over his back. Despite everything mentioned, I thoroughly enjoyed Lawless and that's despite watching it in a cinema surrounded by cunts who wouldn't shut the fuck up. In fact I think being massively pissed off with the people there really helped me to enjoy the on-screen violence. People think that something like The Road is depressing because it shows the end of humanity, however after hearing people talk through Lawless I honestly can't think of anything more satisfying.


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