12 May 2013

He Handled It



I know it makes me a horrible person and for a change I honestly mean no offense, but meaty limb-stumps are something that I just can't cope with. In fact I was recently watching the British daytime show This Morning when they featured a man on it who had actually had a hand transplant. Now don't get me wrong, this does show how miraculous science can be, but fuck me it was horrible. I mean, the poor bloke had somehow lost his original hand, doctors had stuck on some dead guys in its place and I can see how amazing it was that he could slightly control it. But firstly, it was the wrong skin colour, secondly, it was too big, and thirdly, it was stitched on in such a crude horror-movie type way that you'd assume the surgeon had trained by watching bloopers from Frankenstein. I wouldn't touch a dead body if I found one so I certainly wouldn't want bits of it sewn onto me. Given the choice, I would much rather go for having a hook over some random corpses wanking claw. Not only that but the feature was obliviously summed up by the host who couldn't have chosen a poorer choice of words if she'd tried. In conclusion to a story about a man who now owns a dead guys hand, Holly Willoughby genuinely described the issue as “gripping”.

Thankfully though, the Marvel Cinematic Universe has come up with a better solution than turning amputees into Boris Karloff. The plot for Iron Man 3 centres around an experiment which can completely regrow missing limbs with only the smallest of catches... If it goes wrong there's a chance you'll heat up by thousands of degrees and explode like a massive burning cunt. Obviously this becomes an issue for Tony Stark who suspects these fleshy blood-bombs might be a result of a new super-terrorist known as the Mandarin. Quickly things escalate for Stark who discovers asking a tooled up nutter to come and attack him might not be the most sensible of moves. Like a menstrual interior designer, the Mandarin calmly responds to this threat and bombs Tony's house into oblivion leaving him homeless, lost and stuck with a broken suit. Too make things even more tricky, Stark is also suffering from some degree of trauma having under gone a minor case of death when previously pissing about with The Avengers and a nuclear bomb.

For this third entry in the franchise, Shane Black has been brought on to co-write and direct and for me, it's really him that makes this film what it is. Black made his name in the late eighties when he managed to sell his Lethal Weapon script whilst only just into his twenties. However, despite his youthful success making me want to puke down my tits, I actually think he may be my favourite screenwriter working in Hollywood. Although there had been films that featured friends in the past, he was really the first to successfully stick that relationship into an action movie and have the chums bicker for two hours. This was a concept that was clearly aided by Black’s genius sense of humour and ear for really sharp and witty dialogue. Although I could just copy and paste his scripts because every line is so good, I suppose one example from a previous Black film might be after a character named Gay Perry is asked  if he's still gay, “Me? No. I'm knee-deep in pussy. I just like the name so much, I can't get rid of it”.

In fact for me, Iron Man 3 feels like two movies brilliantly crunched together. On the one hand it is very clearly a comic book movie and on the other it is very obviously a Shane Black film. The comic-books stuff would be all the exploding robot battles and the Black stuff would be Tony Stark bickering with his mate Rhodey and occasionally smack-talking a parentless child; “Dads leave. No need to be such a pussy about it”. I think if I was ten years old, watching this film would have been like getting stabbed in the brain with a syringe of excitement. Luckily I have a mental age of about ten and so that's still exactly what this was. However instead of being overcome by joy at the sight of human tin cans blowing up it was actually Blacks script that made me giggle like some deranged Arkham inmate. I genuinely loved all the action but I'd have quite happily sacrificed it for a little more fast paced dialogue with a permanent undercurrent of shittiness to it.

There's a scene about half way through involving the Mandarin that couldn't be more Shane Black if it tried. I'm about to spoil a major twist in the film so if you've not seen it yet then I suggest you stop reading now and fuck off to the cinema to make up for lost time. For those left reading, I am of course talking about the reveal that Ben Kingsley is actually a decoy villain being played by some grotty actor called Trevor from near Croydon. I mean, reservations aside, this has got to be one of the funniest scenes in any action film ever with The Mandarin's bullshit reveal consisting of him swaggering out of the toilet and announcing, “I'd give it twenty minutes!”.

"Who a you calling a lacist?!"
At the time though, I was kind of conflicted. Although I was very definitely laughing at Trevor's sheer rattiness, I was a bit disappointed to discover that what had so far been a genuinely cool villain was actually a load of bollocks. Considering how big of a bad guy The Mandarin is in the Iron Man comics, this was a bit like having a Batman film where the Joker is comically revealed to be a manly tart who’s just overdone it with the lip-stick. However the more I've thought about it since, the less it's really bothered me. I guess my overall feeling is that Trevor becomes such a funny character that the humour he brings allows them to just about get away with it. Also by having Aldrich Killian revealed as the real Mandarin, I suppose the movie conveniently sidesteps the slightly racist Fu Manchu version from the original comic books. Although I suppose had they gone with the Chinese caricature, they could have given Mickey Rooney his most prolific acting role in about ninety years.

The only other real thing I guess that irritated me very slightly was maybe just how many of the twists had already been done in Nolan's Dark Knight trilogy. Rebecca Hall's character is a little bit like Miranda Tate in that, despite lady-parts leaking all over Stark, she's actually a bit of a baddie. Sir Ben's fake Mandarin not only dresses similarly to the fake Ra's Al Ghul but is also a decoy for the real villain of the same name. Oh and both Iron Man 3 and The Dark Knight Rises conclude with the use of something known as “the clean slate”. However there is a difference as in Iron Man 3, this device causes Stark's suits to explode whereas in the other, Batman just uses it to jib of his job in favour of travelling the world and fucking Catwoman.

The other thing that makes Iron Man 3 interesting is that it's the final film in which Robert Downey Jr is contracted to play Tony Stark. Like the rest of the world, I can't imagine anybody else doing the role as well as him but honestly this does feel like the perfect time to recast. There's a finality to the scenes here with the character arc that Stark set out on in movie one finally being fulfilled. They're going to have to recast eventually, so why not now? There's a sort of conclusion to the character with this and Downey Jr is only going to start demanding a shit load of money to come back anyway. I'm not saying that if the films make enough money to fund a small genocide that he shouldn't be entitled to some of it too. But seriously how much cash does one human really need to lead an enjoyable life? Especially one who has already given up drugs and alcohol and probably doesn't need to pay for whores. If it requires a lot of money to coax him back then maybe Marvel should just cut their losses and find someone else.

"So you need a new rocket man?"
Nobody could imagine a James Bond without Sean Connery and yet fifty years after Dr No, the franchise is still as strong as ever. Not only that but producers panicked about the loss of Connery and so threw so much money at him that despite his better judgement he returned for a few more films. Although the suave, lady-beating Scotsman could now afford all the toupee's he'd ever need, it resulted in several performances in which Bond just seemed kind of bored. Not only that but our half arsed 007 received so much money that the stunts and set pieces had to be cut down on, too. Considering that Downey Jr allegedly received over $50 million for his appearance in The Avengers alone, you've got to wonder how much he'll want in order to return and ultimately if it's worth it. Like I say, they're definitely going to have to recast at some point and this just seems like the perfect timing both financially and in terms of the story. Although we all have our differing opinions as to the future of Tony Stark, I personally think that Marvel should play it safe and completely copy the Bond franchise following their successful replacement of Sean Connery. For a proven guarantee of longevity, they should simply let Robert Downy Jr go and replace him with the presumably much cheaper Roger Moore for the next twenty-two years. As can be seen with 007, the results of this strategy already speak for itself.

Anyway, ignoring all that in-the-future crap, Iron Man Three is a really fun movie and more than makes up for the slightly crappy second instalment. I'm sure some comic book purists will be overly pissy about the cinematic depiction of one of their main villains but for those of us who have lost our virginity, what remains is simply two hours of joyous fun. It's nice too that I can also now add this to a list of my favourite Christmas films along with Die Hard, In Bruges, OHMSS and every other Shane Black film ever made. So I guess to conclude, I'll leave you with a just-about-relevant line from Black’s debut movie Kiss, Kiss, Bang, Bang, “I don't know if you want to see it now, but here's the fucking robot stuff for your viewing pleasure. Can I say "fuck" more?” It's a tenuous link, but sod it I'll take almost any opportunity to re-read that dialogue. 


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7 May 2013

Towering Above The Others



The Cold War for anyone unaware, was a prolonged state of political and military tension between the Eastern and Western Bloc which thankfully ended in 1991. I say that because for anybody who doesn't know, The Cold War just sounds like the on going mystical bitch fight between the Asgardians and the Frost Giants. I know I shouldn't have to specify the difference between a fictional battle in Thor and that time humanity was almost nuked off the planet but you know... some people are thick.

I mention this only because Mission: Impossible was one of the first successful spy franchises to be launched after Mother Russia and Uncle Sam stopped their apocalyptic pissy fit. When the Nukes where put back in the box, spy films were left a little bit confused as to where they should now be playing. The first film in this series however got around the problem by making the enemy one of IMF's own spies. In fact, the second and third film also did this proving that for a gang of secret agents, they're all seriously shit judges of character. Three fucking films we've gotten through to get here and each one of them has revealed one of their own to be the main baddie. If we just shut the organisation down then the world would be a much safer place.

Russia called my mum a 'fat tart'?!
Well for the first time in the franchise, Mission Impossible: Ghost Protocol does not feature an IMF agent as the main villain. In fact the bad guy this time around is just some random old bloke who for whatever reason wants to destroy the world. I don't remember his motive but to be fair thanks to my ingrained sense of misanthropy, I'm not completely against him. However, what is interesting, considering what we just talked about, is how his plan simply involves attempting to kick start a war between America and Russia. So he's really just like the kind of shit-starting slab of dick-dirt that spreads rumours about a couple down the pub to cause an argument… having said that, it's nice to feel nostalgic for that warm blanket of nuclear fear that I was born into. I was only two years old when the Cold War ended but in many ways I think the worry that my flesh could be burnt off at any second has really influenced my outlook on life.

Anywho, so the old bloke manages to blow up the Moscow Kremlin whilst simultaneously framing IMF. Because of this, their new boss informs them that the agency has thankfully been closed down and that they must work completely alone to unofficially finish the mission. So although this time they aren't against one of their own they have been out smarted by some mental ageing duffer with a death wish. Seriously this agency isn't just a waste of tax payers’ money but actually a threat to the survival of the fucking planet. Also, I say new boss because they don't half go through them. There was Angelina Jolie's Dad, Hannibal Lector, Morpheus and now Tom Wilkinson in what I assume is the espionage equivalent of The Defence against the Dark Arts job.

Welcome to the Crazy Face!
But despite all that Mission: Impossible - Ghost Protocol is still amazing. After three films, I think we know now that this series works best at its silliest and when shoving stupidly crazy set pieces in our face. This time around the ridiculous death defying stunt of choice involves Tom Cruise scaling the side of the worlds tallest building like an ageing Peter Parker suffering a midlife crisis. In 2005 director Werner Herzog released the documentary Grizzly Man which showed video footage of a deranged animal lover who liked to tit about on his own in the wild. Sadly his love wasn't completely reciprocated by the cuddly bears there showed their gratitude for his presence by promptly biting his head off and eating him and his girlfriend. In their review of the film, Empire Magazine described it as, “the longest suicide note ever composed”, which is in my opinion something that could easily be applied to Cruise in the Mission: Impossible series. My theory is that it's the subconscious part of his mind trying to free itself from the pain caused by all that brainwashing that's been done back on the mothership of Scientology.

Presumably in an attempt to plan for his inevitable death however, we finally here have a Mission: Impossible film that focuses completely on the efforts of an IMF team. Not only that but we're introduced to a potential future lead with the presence of Jeremy Renner who I actually really liked. Since his career exploded with The Hurt Locker, he's been looking for a series to headline by appearing in pretty much every blockbuster he could get his freaky drumstick fingers on. Like a deranged chimp, he's consistently throwing shit like The Bourne Legacy and Hansel and Gretel: Witch Hunters at a wall in the hope that something might stick. However after collecting so many franchises like a movie pimp, I think that the Mission: Impossibles might be the whore that finally pays out for him. If Cruise does either die or return to his home planet then I'd really like Renner to take over as the lead which would avoid the recasting issues faced by the Bond Franchise. As I've said before, I do prefer the adventures of 007 but even I have to admit that in Die Another Day, Bond was looking bloody good for a man who must have been well into his 70's.

Whilst we're talking about new people here, it's also worth noting the presence of director Brad Bird. Previously he'd only worked in animation, having helmed The Iron Giant, The Incredibles and Ratatouille and so this was his first venture into live action. For anyone who’s not seen Ratatouille by the way, it's basically a French-set story about some dirty, unlikeable, vermin who are taught to cook by a bunch of rats. Despite this being his first foray into the world of the flesh however, Bird does a great job by racking up the humour, tension, silliness and action. The film goes on a bit longer than maybe it should have done but it's forgivable just for the ridiculousness of the final battle. Without giving too much away it basically involves the bad guy fighting Cruise around around the steel bonnets of an unbelievably tall car factory. With an old man battling a sprightly midget in this metallic setting I couldn't help but reminded of Palpatine versus Yoda in Revenge of the Sith. 

Having now watched the entire Mission: Impossible franchise, I have to say that I love that each film has a different director. Not only that but each one of them brings a distinct style from De Palma's love of Hitchcock to John Woo's inability to make anything less than shit in English. This always brings a certain freshness to each new addition and will hopefully continue to allow the series to live on in the future. Directors I'd like to one day see have a go at one of these are Steven Soderbergh, Bryan Singer and just because every mainstream franchise needs a backwards speaking midget, maybe David Lynch.



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29 April 2013

A Close Shave



I had one issue with the film Trance and there's a possibility that it may just be my own unique problem. There's a scene in it where right before having sex, a character temporarily stops the risky business to go and shave off her pubes. I don't know about you but to me this just seemed a little bit weird. I can understand wanting to impress someone before shooting body juice at them but how about a bit of forethought? There's nothing wrong with shaving, but to do it in the next room and four seconds before shagging is a little bit weird. Having said that, maybe this is just an issue for me- firstly I was in the Scouts and so know to always be prepared. Secondly, shaving my pubes when I was seventeen is probably one of the most traumatic things that I have ever done.

This, with a dick...
I don't know what made me do it but I'm thinking that I probably got bored after shaving my face. The procedure was not as simple as I'd assumed though and as I grated away at my raw, bloodied skin, I started to realise that the blunt disposable razor may have been a mistake. To make things even more annoying, the final results didn't even look that good. I was hoping for porn star smoothness but instead it just made my crotch look like the arse end of a pink, uncooked chicken with the dick just sort of.. stuck on, for comedic effect. Also, seconds after completion, I began to notice the arrival of itching. I scratched so much that it looked as though I'd had a blowjob from some snaggle toothed freak like the Predator or Madonna, and it fucking hurt.

In a panic, I frantically rooted through the bathroom cabinet until I found a white lotion that looked as though it might help to calm things down. As a test I splashed it all over my cheeks and was elated to discover that it did indeed seem to stop the urge to scratch. Therefore without hesitation I emptied the bottle all over my crotch leaving nothing to chance. Thankfully it worked and everything felt instantly better. Breathing a sigh of relief I sat down and for a moment assumed the ordeal was over. Then my face began to sting. The panic set in. I don't know what the hell that lotion was but I knew I now had seconds to wipe it off everywhere else, as well… Too. Slow. Quickly I found myself writhing around on the floor like a dying maggot as my balls felt like they'd been dipped in battery acid. With all this in mind, it is, like I say, probably only me that is going to care about the pube scene in Trance. However on the bright side, other than it inconsiderately bringing up my past horrors, the rest of the film is thankfully absolutely brilliant.

Perhaps I should say up front that my reasons for loving Trance can probably be attributed to my love of both Danny Boyle and also the mischievous, magical imp that is Derren Brown. Boyle obviously directed this mind-fuck of a movie whereas Brown, as far as I know, had absolutely nothing to do with it. I guess I'll explain his relevance in a bit, however the basic plot of Trance is that James McAvoy loses his memory causing him to forget where he has hidden a valuable, stolen painting. Unfortunately for him the gangster Vincent Cassel wants to find it and so sets about torturing him. After realising that pulling off someone’s fingernails isn't a medically proven way to cure amnesia, Cassel instead has McAvoy undergo Rosario Dawson’s hypnotherapy in an attempt to make him remember. Imagine a kind of cross between The Usual Suspects and Eternal Sunshine of A Spotless Mind and that's kind of what this film is.

Will forever be known for wanking to death
From reading other reviews, it seems that the response to Trance has been mostly positive. However the one criticism that appears to be the most repeated is that none of the characters are completely sympathetic. Although I agree with that statement to a degree, I don't think that's necessarily a bad thing. For example- and I'll try and keep this vague, but I have a friend whose family member is an absolute twat. However I love hearing stories about their miserable relative just because I don't understand how someone can be so fucking annoying. Hearing about the person in question is a bit like having one of those bruises that hurts to touch but for some reason you just can't help but poke it every now and again. However with Trance I would argue that although the characters are all morally corrupt, I can, by the end, empathise with at least two of them. I don't agree with what they're doing but that's not to say I can't see why they're doing it and pity them for suffering the consequences. It's a bit like how I feel bad for David Carradine because of his stupid death even though I personally would never string myself up and knock one out onto the back of a grubby wardrobe door.

The second main criticism the film has received is that a few people have commented that the third act gets a little muddled. However again, I disagree with this and actually attribute their observations as again being a result of the unsympathetic characters. It's not the case that what you’re watching doesn't make any sense, but rather you have no fucking clue as to who you should be rooting for. A testament to this might be that one of my friends who I was watching this with became so overwhelmed with what was going on that her brain became mashed and she just broke down in tears. It's not that the end is particularly sad but rather it's so powerful that all she could do to cope was to have a cry. Although personally I didn't react quite so emotionally, I can see how it happened. Again when I was about seventeen my Mum tried to make me change the trousers I'd put on and I just couldn't be bothered. Whenever I wake up in the morning I'm seriously a full on menstrual wreck and this happened to happen a few seconds after I'd opened my eyes. I didn't want to change my pants but my Mum just nagged and nagged and nagged until all I could do was sit there and sob. I guess the film had the same effect on her where things just become too much and the only way the body can reasonably respond is by having a minor breakdown.

So happy that I've seen his balls.
Like I say though, I'm a huge Danny Boyle fan with my all-time-favourite-film being Trainspotting. If we look at his filmography, I guess it seems that he actually often tells stories about unsympathetic people and so it shouldn't come as a shock that this is also the case with Trance. Examples of Boyle's antihero's might be Renton in Trainspotting who is a junkie, Richard in The Beach who is very self-centred and Franck in Trance who is French. Also looking at his back catalogue, it's interesting to note that this new film probably bears the most similarities with his debut feature Shallow Grave. Both films could be considered neo-noirs, center around three mysterious characters and involve the hunt for stolen goods. They both also feature a likeable Scottish actor in the lead and have a few surprising moments of full frontal nudity. For the record though, if we have to have nudity in films I do much prefer it being Rosario Dawson to Keith fucking Allan.

I guess it's about now that I should explain the casual reference to Derren Brown that I made earlier. I'm not sure how famous he is around the world but for those who are yet to discover him, he's been described as an illusionist, mentalist, hypnotist and after seeing some of his shows I'm pretty sure he could take over the world if he wanted to. The reason I mention him as a reason for enjoying Trance is because it's the kind of film that explores some of the ideas that I probably wouldn’t believe if it wasn't for Brown and all of his evil shenanigans. The driving force of Trance is the subject of hypnosis which previously I'd dismissed as bullshit. I guess I'd only seen cheap holiday camp hypnotists that claim to have magical powers and just assumed that they picked the biggest, drunkest wankers from the audience and then paid them a few quid backstage to play along.

Don't look into his eyes!
However from being drawn into Brown’s work, I've really had my eyes opened. For a start, hypnosis isn't about 'magic' but rather suggestibility and from my limited understanding, will only affect those who are receptive enough for it to work. I'm sure there will be people out there who will have seen a little of Brown’s talents and dismissed him, and therefore hypnosis, as bollocks but they're wrong. Brown definitely doesn’t use stooges during his live events and in fact picks people at random by launching frisbees at the audience. I was actually at his latest show Infamous recently when one of his frisbees flew straight towards me. Thankfully though and despite the closeness I came to shitting my pants, it was expertly caught by someone in the row in front. It's not that I don't want to get involved but I was actually also at his previous show Svengali in which he worked out that a young lad in the audience's biggest secret was that he'd wanked off in school. To make matters worse, the guy in question was at the show that night with all of his classmates and teachers whilst on a school trip. It's not that I don't mind sharing my secrets to a room of thousands of strangers but just that I fear the darkness in me might grim people out or kill the mood.

So he doesn't use actors but could hypnosis be a result of bribing an extroverted fucktard? At one point in the evening, Brown made everybody stand up so that he could hypnotise those who were open to it. Although I remained unaffected, there was a man sitting right behind me that despite not looking like a wanker was very much in a trance. The guy looked like a normal middle aged bloke and even though he was stood up was so fast asleep that he began to loudly snore. In fact he was genuinely under so deeply that at one point I was waiting to feel his slobber dribble down my neck. I won't say any more about the show because Brown asked us not to and I fear that if I do my head will explode Scanners style, or something will trigger and I'll be forced to live the rest of my life believing myself to be a middle-aged Dutch whore. I guess though, my point is simply that thanks to Derren Brown providing me with a new found fascination with this subject, I could more easily buy into Trance's central hook. To be honest, I'd learn how to hypnotise people myself if I thought I could be trusted enough to not just use it as a sort of thinking man’s method of date rape.

With all this in mind, a lot of Trance therefore takes place in the fucked up memories of McAvoy's damaged brain. The fun of the film therefore isn't in knowing the story but experiencing the skill in which it's told. A classic trait of a noir is obviously the unreliable narrator with this being no exception, and with Memento perhaps being of a similar ilk. However, as well as borrowing elements of a noir, Trance also kind of feels like a bit of a call back to those seedy erotic thrillers from back in the 90's. I guess that, like Basic Instinct or Bound, the film has the intelligence to keep us guessing, but at the same time has no qualms with the occasional flash of minge.

..fuck, it opened..
After taking time off to direct the Olympics, my opinion is that this is a hugely triumphant return to cinema for Danny Boyle. It's not that I didn't enjoy his ceremony because I did. Anything that involves both James Bond and having the Queen thrown out of an aeroplane is easily going to grab my interest. Although, I couldn't help but think it would have been an even more memorable evening had her majesty’s parachute failed to open resulting in the most patriotic suicide of all time. My only issue is that we all only have a certain amount of life in us and I selfishly want Boyle to spend all of his making movies. Boyle makes optimistic films about flawed human beings which in this fucked up society is the kind of hope my warped mind likes to cling to. Now, seems as hypnotherapy is seemingly so effective, I'm going to book myself in and finally remove the traumatic memory of my grated pubes.




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