At
least in terms of its themes, if Pinocchio, Oliver Twist,
Robocop, and Short
Circuit ever got bored and
decided to start fucking then Chappie
would be the spunky mess that gets left on the bed sheets. Set in the
near future, Johannesburg has become so shitty that the South African
government has had to invest in a squadron of attack robots to try
and stem the flow of crime. These cyborgs have pinpoint accuracy,
armour plating, and are as ruthlessly efficient at stopping
wrong-doers as the American police are with little, unarmed, black
children. Meanwhile the robots creator Dev Patel has just figured
out how to make his products a little less murdery and a little more
thinky which he celebrates by having Chappie, his prototype, promptly
stolen from him by a couple of criminals. By coincidence, it's also
worth noting that the two kidnappers are two of the biggest
fuck-nuggets I've ever seen... more on them later I suppose.
Essentially Chappie
tells the story of the worlds first, completely sentient robot, and
how it's forced to choose its morality whilst simultaneously learning
the hard facts about how shite our species really is.
Showing posts with label Robots. Show all posts
Showing posts with label Robots. Show all posts
25 October 2015
Was Chappie Really That Bad?
Labels:
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Dev Patel
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Die Antwoord
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sci-fi
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Sigourney Weaver
4 October 2015
Just Another Film About Artificial Intelligence?
It has recently been alleged in an unofficial biography of British Prime Minister David Cameron that the dish-faced little gimp once popped his probably wart-riddled cock into the mouth of a decapitated pig. I have no idea if this story is true and I can't say that I was exactly expecting a headline that suggested our countries leader had necro-face-fucked the star of Babe, however, true or not, if you ask me, the fact that it doesn't surprise me is kind of bad enough. This thought process and story kind of reminded me of Alex Garland's latest film Ex Machina, which is a sci-fi film dealing with the creation of the worlds most advanced AI robot and that Garland claims to be set “ten minutes from now”. His point with this is that his movie might depict an extraordinary set of circumstances, however technology is moving so quickly that if it were announced that his film had come true then we'd be surprised, but not that surprised. I suppose the main difference is though that I'd be excited if they announced the creation of a robot super-race, but with Cameron I simply can't help but wonder who comes out worse in the story? The dead-eyed dirty pig or the decapitated sow with a cock in its mouth.
Labels:
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Domhnall Gleeson
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Oscar Isaac
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Pig Dick
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Piggy
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Robots
23 July 2013
I Hope We Die Like This
I don't necessarily believe it myself but I
have a theory in regards to alien life. So far, we've not been visited by
little green men and anyone who claims to have seen one is either a nutter or a
bullshitter. Therefore, what if the reason we've never found any hard proof for
alien life is because we're actually alone? I guess everything starts somewhere
so why not with us? As Earth dies we'll move to another planet and then
eventually another and another until finally you've got millions of human
colonies on a million different planets. As we travel about the galaxy like
intergalactic squatters, we'll eventually all evolve to suit our individual
planets until inevitably the colonies look nothing like each other. By living
and shagging on various worlds we'll eventually transform into the aliens that
we currently imagine, abduct and probe us. Basically my theory is that in a few
millenniums time, humanity will have reached its peak and become Parasitic
Space Gypsies.
Pacific Rim has
a completely different idea to this, instead presenting extraterrestrials as
giant fish creatures that want us dead. A giant portal has appeared in the
ocean and has started spewing out these freaky looking aliens who have nine
rows of teeth, five arse holes and swords for fingers. In response to this,
humanity has participated in the only logical defence which is to fund
skyscraper sized mecha-suits controlled by little people inside who are psychically
connected. So basically, what we're left with is the ultimate Power Ranger
Movie in which huge, fuck off-sized robots punch the absolute shit out of
massive gunk-filled monsters. It's kind of like some sort of sci-fi, medieval
film in which ugly future dragons are fought by knights that have been bummed
by steroids and then strapped into a suit of armour that has rockets for
elbows. What's not to love?
| Stick it up his anus! |
The basic message of the film is that life
would be so much better if we all just settled our differences and became
friends. So fish aliens aside, it's very obvious that this is a fantasy that
takes place in a movie world that's very distinct from our actual reality. I
don't even get on with my own neighbours so I'll be damned if I ever have to
work alongside the French. However, in a climate where every film makes an
effort to be real and gritty, this was a very welcome change. In Man Of
Steel, the destruction of Metropolis was laughably over the top because it
had tried to ground itself in realism. When Superman dragged Zod’s face along a
skyscraper, I began to total up the financial burden that this would place upon
our already struggling economy. Lois Lane would end up working in a
supermarket, Perry White would become an alcoholic and Ma Kent would become the
most wrinkled whore in all of Smallville. However, when it all kicks off in
Pacific Rim, nothing matters beyond the joy of seeing a robot twat a
monster with a massive metal ship. I don't think about the innocent victims, I
don't think about the cost of destruction and I don't think about the state of
world politics. All I want is for the big mechanical man to shove the boat
really hard up the alien’s arsehole so that we can see the expression on its
gigantic, startled face. The movie is just fun as hell and yes, I am aware of
my issues.
I guess the only problem with these kinds
of films is that when you've got apocalyptic sized bitch fights going on, the
human characters can get slightly lost in the mix. It's hard to care about some
fucktards’ daddy issues when we could be seeing an oversized Robocop get fist
deep into some scabby Godzilla. However, for me, this film manages to avoid
that pitfall by firstly making the characters interesting and secondly ensuring
that their personalities are integral to the fights. The psychic connection
that controls the machines means that any issues a pilot possesses could play a
huge part in the outcome. If you get pissed off about something, the odds are
you're going to fight better. If however you start getting flashbacks to some
traumatic childhood event then I guess that'll become an influence too. As a
child, I got my arm trapped in a fence and so just stood there crying until I
was rescued by a passerby. If something as traumatic as this came to mind when
I was in the middle of fighting a ninety foot creature with balls the size of
the moon then the odds are that our world would quickly be fucked.
Everything about this film is just amazing,
though. Being human, I'm obviously a huge fan of director Guillermo del Toro
and although this might not be his best film, it's still absolutely brilliant.
It's a big mainstream movie but it still contains all of his weird, quirky
trademarks such as huge cogs, steampunk gimp suits and furless apeman Ron
Perlman. Pacific Rim might aim for just being pure dumb fun but as big
robot movies go, it shows crap like Transformers how it should be done.
Where Michael Bay has banality and sexism, this has heart and style. There's a
fight here between a robot and a lizard thing that starts in the ocean and ends
up in space. After seeing something like that, it's obvious that Transformers
4 has got a lot to live up to. Sadly Michael Bay is such a talentless
arsedroid that I'm not getting my hopes up. The neon colours of Pacific Rim are
so gorgeous that it was like somebody had violently clawed at my eyes with a
nail-file made of rainbows and glitter. Transformers, on the other hand,
is so far away from being art that it's like watching an advert for overpriced
cars, superficial tramps and lobotomies.
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| Humanity was not worth the fucking effort. |
Speaking of bad movies, it's such a huge
shame to see how badly Pacific Rim is doing at the box office. Despite
being such a brilliant example of a summer blockbuster, it is currently being
beaten by Grown Ups 2 which is about as depressing as being injected in
the head with the blended up remains of Coldplay. Guillermo del Toro
makes films that are genuinely unique and amazing whereas the quality of rival
star Adam Sandler's cinematic output is equal to that of a particularly
unambitious cauliflower. I'd like to hope that the success of shit like that at
the expense of something as impressively imaginative as Pacific Rim is
due to some sinister organisation subliminally brainwashing the taste out of
humanity. Sadly though, I suspect the truth is that most people are fucking
idiots all by themselves.
Of course Pacific Rim isn't going to
change the world but nor does it intend to. I'm sure there are plenty of plot
holes and yes we can easily feign outrage at why the robots took so long to
fight with swords instead of fists. Perhaps as well it'd have been better to
stick the cockpits of the machines in the chest instead of the head considering
how often they seem to get ripped off, but with something as big and glorious
as this perhaps you've missed the point if all you can do is nitpick like a
bell-end. Everything about this movie is geared towards pleasing the young
child inside you and I don't mean in a Jimmy Saville or a rentboy kind of way.
From the opening shot of the Roboteers tooling themselves up, my twenty-four
year old mind just digressed twelve years and my excitement levels reached
critical. I think I'm doing pretty well with seeing films released this year
and so far this has been my favourite by far. I mean, I loved Furious 6 too,
but with this I at least didn't need to over work my irony glands. In fact, the
biggest disappointment with this film is just in how shit our reality seems
afterwards. If we really were attacked like this in real life then there's no
fucking way our governments would have either the balls or sense of fun to
start funding giant metal bastards. Although when our destruction does come, I
do hope it's at the hands of huge Japanese fish dragons. Not only would it be
more interesting than our inevitable nuclear war but it'd be the most beautiful
apocalypse we could ever hope for.
Follow this blog or I'll fucking cut you.
Labels:
Aliens
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blog
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gdt
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guillermo del toro
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pacific rim
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Review
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Robots
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Robots hitting Aliens
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