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To
quickly fill you in on the plot, Gerard Butler is an American agent
tasked with protecting his President as played by Aaron Eckhart. At
the start of the film the world is shocked to hear of the unexpected
and suspicious death of our British Prime Minister. Although, I'm
presuming that the shock and suspicion is mostly due to a politician
having actually done something that we'd like them to do for a
change. As a result, all of the world leaders are invited to his
funeral in London in what is so obviously going to be a trap that
they may as well have had the service on a giant leafy rug above a
massive pit of wooden spikes. And to be fair.. the actual plot isn't much
more thick-headed than that. Obviously there's a heavy police
presence in the capital on that day presumably to help with the crowd
control. A lot of the public have decided to line the streets to show
their respect whilst simultaneously making sure that the privileged,
Etonian pig-fucker is actually dead. However those crafty terrorists
are always one step ahead and so have bought some police uniforms to
confuse anybody who might try to stop them. All of the world leaders
turn up, the bad guys start shooting, and because they're wearing
their fancy dress costumes, the response is for the authorities to
pull their law enforcement officers out of the capital. I can only
assume that they've found this tactic in a big French book entitled
'How To Survive A War'.
The
thought process here is that you can't tell who's a good guy and
who's a bad guy and so the actual police have been left completely
confused. A few years ago I worked in a pub when we were raided by
what seemed to me to be a policewoman. I started to doubt her
credentials as an officer of the law however when she proceeded to
get her tits out and squirt cream all over some bloke enjoying his
stag-night. My point being that it's not just the clothes a person
wears that define who they are but also their actions as well. When
what looks like a policeman is standing on top of a roof firing explosives from a rocket launcher at any passing helicopters, then I'm going to apply
my Sherlock-like
powers of deduction and conclude that he's probably not a fucking goodie,
is he?! These are the kind of skills that Gerard Butler displays as
he and the American President fight to survive in what feels like a never
ending conveyor belt of boring action scenes. Oh- he does actually
have one other clue as to who the bad guys are to help him through, as
most of them seem to have a skin shade that most bigots would label
on the Dulux colour-chart as 'terrorist brown'. To say that this film
is a little racist would be an understatement as Butler's character
refers to the bad guys' home country as 'fuck-head-istan'. This is
ironic because based solely on Butler's character and persona, I kind of thought that 'fuck-head-istan' was probably located just
north of Newcastle.
Oh,
and it's also worth noting that the attacks are taking place because
the American's bombed and killed the main villain's innocent family
instead of him, which seems like a reasonable cause for his anger. Not
only is this practically on the verge of being a war crime as it is,
but it's also worryingly similar to Donald Trump's plan on how to
deal with terrorists which goes to show just how mentally-defective
this film actually is. At least Olympus Has Fallen stole its ideas from Die Hard.. this sequel is apparently pilfering from a man with such terrible hair on his head that I literally dread to think how awful his pubes must look. However the reason that America tried to kill
the villain in the first place is because he was selling arms to
their enemies, with the implication being that they're pissed off
about his direct involvement in the various threats to their country. Although,
considering America also sells weapons to its own enemies, I'm
guessing that it's really because they were trying to get rid of the
fucking competition. Oddly these are all aspects that the film
chooses to ignore in favour of a much more gung-ho 'shoot anything
with a beard' attitude. I can only presume that, as well as being a
shit action film, they were also hoping to give all of the slobbering
racists in the audience a chubby little erection for them to hang
their tiny flags on.
At
the very least the confusing mixture of prejudice and arousal might
help to distract from the god-awful CGI on screen which was like
watching a broken PlayStation cut-scene in about 1996. At one point
there was an aerial action sequence with some obviously fake
Helicopters that was so unbelievable that they temporarily took my
mind of the film's wearisome plot holes. If you have the capacity to
kill a world leader and want the American one dead, instead of
killing the British one as a trap, just kill the American one in the
first place, you stupid fucking cock-womble. I mentioned Trump a
second ago, who is obviously currently attempting to gain leadership
of the Republican party with the last Republican President being
George W. Bush. Well, in Britain, when you combine a bit of Bush with a horrible Trump,
we call that a fanny fart.. or a 'queef' for short. This is a
coincidence because not only will this doltish piece of shit movie
appeal to many of their followers but I'm pretty sure that the aforementioned aerial
action scene was only achieved by cutting out a photograph of a
helicopter and then queefing it across a child's drawing of the
sky. Either way it just goes to show how terrible London Has Fallen is when
the effects are as bad as that and yet they're not even the worst
thing about the fucking movie.
I'm
guessing it therefore also goes without saying that the acting
here is generally fucking awful too. Butler is playing the character with
an American accent but at one point he bumps into a soldier that is
clearly very Scottish. Throughout their entire conversation I
couldn't help but spot the pulsing veins in Butler's head as he
strained against joining in and reverting to his native voice. It was
like watching the main character resist his transformation in An
American Werewolf in London except
instead of fighting the urge to grow claws and sharp teeth it was to
moan about the 'bampots' and do some fucking heroin. However as bad
as the acting might have been, the editing was somehow even worse with
it being so cut-and-paste that you could completely tell that Morgan
Freeman did all of his stuff in about half an hour. In fact, at
one point, Freeman bumps into Butler with the camera only ever showing
the two of them in the same shot when it cuts to the back of some
clearly random white haired, elderly black man's head. It was actually
so obvious that I started to wonder if Morgan Freeman even knew if he
was in this film or if they'd either done it Bowfinger-style
and tricked him or simply cobbled him into it from shots of his
other movies. Having seen the final product here, if I was Morgan
Freeman, that's certainly what I'd be fucking telling people anyway.
So
to conclude, Gerard Butler was going to be a lawyer before turning to
a life of evil and making shit like this. You might think that the
word evil is a little strong, but there were twenty people in the
screening of the film that I was at.. I know this because I counted
them all like they were fucking sheep in a desperate attempt to try
to nod off. At just over ninety minutes long, that means that humanity
has literally lost thirty whole collective hours of man-power from that one
single showing of the film. Except I checked afterwards and it turns
out that the one cinema that I saw this movie at was showing London
Has Fallen six times a day.
Now.. if we assume that there were twenty people in each of those
different showings then that means that Gerard Butler has literally
stolen one-hundred and eighty hours of humanity from society in just
twenty-four hours. Except, it's more than that isn't it because we had
to pay to get in. So lets assume that a ticket is around £10 and
that most people are on a wage that's somewhere around that number
per hour then the reality is that he's actually stolen three-hundred
hours of humanity per day. Obviously the film was being shown
from Monday to Sunday and so if we multiply that figure by seven then
our society has actually lost two-thousand, one-hundred hours of
productivity in one single week, in one single cinema and from only this
one shitty film. Once you start to work that out on a national, and
then even worldwide scale, you start to wonder what we could have done
with our time and money instead. We could have built special schools
for tiny sick children; we could have instantly wiped out the debt of
some struggling small countries; or we could have invested in various
forms of renewable energy and begun to save the planet. But no..
Gerard Butler had better ideas so we saw London Has Fallen
instead. Thanks for reading,
motherfuckers, and see you next time.
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