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I
only tell this story because I was reminded of it when watching the
film Midnight Special.
The movie throws us right into the middle of the action as a young
boy is kidnapped by Michael Shannon and Joel Edgerton. Is this a gay
couple fleeing with a son they've Raising Arizona'd from
its bedroom? Why are the FBI hunting them? Is it simply because
Michael Shannon has a face that screams 'dangerous to children'? And
why has a sinister cult despatched a couple of goons to bring them
back? Does the child have some sort of religious significance? Or is
it just that their church is another hive of nonces that want their
pre-pubescent hump-meat back. The story begins by presenting us with
all of these mysteries and with the joy of the film being in how it
trickles its answers out like piss from a pensioner. Shannon and
Edgerton have been told by the boy that they must reach a certain
location and at a certain time but it's unclear if even they know
why. We're also told that this child has a gift and that whatever
makes him special is the reason behind this entire chase. I'm sure
there was meant to be some element of suspense in discovering what
exactly this is.. but I can't say that I was entirely gripped. A kid
that spends the majority of the film wearing swimming goggles and who
we're told has a something special? It'll be just another child with
a big ol' dick I suppose.
Directed
by Jeff Nichols, Midnight Special follows
a similar trend to his previous films in that it places its
supernatural elements second to its human drama. In his Take
Shelter, this meant that we were
mostly treated to the breakdown of Michael Shannon's marriage to
Jessica Chastain as a potential apocalypse happened in the
background. Although in that case I suppose you could argue that some
mysterious elements must have been in place in order for her to agree
to marry a man with his face in the first place. I mean, I don't mean
to go on about it, but Shannon really does look like somebody has
attempted to sculpt a gargoyle resembling Steve Buscemi as he suffers
an allergic reaction to a bee sting. However unlike Fred Willard and
Pee Wee Herman, I don't go to the cinema to masturbate and so I
suppose the fact that Shannon's face is quite obviously some sort of
Lovecraft-ian beast from an alternate dimension shouldn't really
matter. Especially when he's one of the most intense and watchable
actors that's working today and with Nichols arguably being the
director that gets the best out of him. In which case this is another
success for both as it continues their spree of awe-inspiring films
that show the human spirit's ability to shine out through
extraordinary circumstances. In this respect, I suppose you could
argue that Midnight Special essentially
confirms the pair to be the Dr. Treves and Joseph Merrick of modern
cinema. I'll let you work out which of them is most reminiscent of
Merrick.
Whereas
the pair's previous film Mud was
a jaunty Mark Twain-esque tale of rednecks on the river, the two
biggest inspirations for Midnight Special are
John Carpenter's Starman and
Spielberg's Close Encounters. All
three films involve a supernatural message leading to a mysterious
journey towards a place of significance and in which the military
must be avoided. There's also a character played by Adam Driver
that's basically just Truffaut and Bob Balaban's Close
Encounters concerned boffins
rolled into one. Oh, and although it takes some time for us to
discover the significance of the child, we do learn that one of his
gifts is to blast out a blinding light from his face. Throw a thick
coat onto him and he basically has the power to recreate the poster
for John Carpenter's The Thing. The
funny thing is that these influences are both the pro and con of the
film itself. Con in the sense that it reminded me so much of those
two films that Nichols' own style would occasional get lost in the
mix. Pro in the sense that, despite this, it was still a brilliant
movie that I found myself enjoying as much as an old man likes to
expose his withered Palpatine-like cock at the gym.
In
fact, unlike pornography, I suspect this will be one of those films
that actually improves with multiple viewings. Due to the way that
we're thrown straight into the action, we have to learn about the
characters' relationships over the course of the movie and it's not
until the end that we see how they all connect to each other. In
which case the second viewing of the movie will presumably have an
added emotional weight to it as we now understand the reasons behind
everybodies motivation. Except Kirsten Dunst's character I suppose.
She kind of feels as though she was just dumped in when somebody
noticed that there were quite a lot of male characters and not a
single frumpy woman to balance it out. Although speaking of repeat
viewings, I'm kind of looking forward to that to see if some of the
film's vagueness actually had a reason or if it was simply to deus ex
machina the characters out of their various situations. At one point
Adam Driver's character works something out which leads him to an
important discovery and I'm not entirely sure that we were told what
he'd worked out or how he'd managed it. Or maybe we were. I remember
leaving the cinema and discussing with my friend that the ambiguity
occasionally seemed to exist for the sake of convenience but perhaps
my mind was still a little shaken. Let's not forget that I was still
a little concerned by the sight of a young boy and his over-sized
yogurt slinger from a few days earlier.
However, if you want to see an excellent sci-fi in which Adam Driver doesn't murder one of your childhood heroes then this is the film for you. Or maybe you'd like to see an action movie to feature both Michael Shannon and a character with extraordinary abilities but don't want to have to sit through Batman V Superman because it's shite and you have common sense. Or maybe you just want to see a good old fashioned drama about a father attempting to protect his son from a world that his young mind is already wise to. I mean, the whole film is basically just a metaphor for the fact that everybody thinks that their kid is something special. Which is stupid because as The Incredibles points out, saying that everybody is special is just another way of saying that nobody is. I also never understand why people like children because children are just little adults and aren't most adults just knobheads? I'll admit that a child that can blast a beam of light out of his face or somehow psychically intercept military codes might have something mildly noteworthy about him. I guess the mystery of finding out who this child is and enjoying the journey that he goes on is why I loved Midnight Special so much. But unless he also has a two-stone mayo-cannon that's weighing him down then I don't think I'll be as impressed as I could have been. Thanks for reading, motherfuckers, and see you next time.
However, if you want to see an excellent sci-fi in which Adam Driver doesn't murder one of your childhood heroes then this is the film for you. Or maybe you'd like to see an action movie to feature both Michael Shannon and a character with extraordinary abilities but don't want to have to sit through Batman V Superman because it's shite and you have common sense. Or maybe you just want to see a good old fashioned drama about a father attempting to protect his son from a world that his young mind is already wise to. I mean, the whole film is basically just a metaphor for the fact that everybody thinks that their kid is something special. Which is stupid because as The Incredibles points out, saying that everybody is special is just another way of saying that nobody is. I also never understand why people like children because children are just little adults and aren't most adults just knobheads? I'll admit that a child that can blast a beam of light out of his face or somehow psychically intercept military codes might have something mildly noteworthy about him. I guess the mystery of finding out who this child is and enjoying the journey that he goes on is why I loved Midnight Special so much. But unless he also has a two-stone mayo-cannon that's weighing him down then I don't think I'll be as impressed as I could have been. Thanks for reading, motherfuckers, and see you next time.
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