18 June 2012

The Rape of the Natural World


I don't know if it's like this everywhere, but at our nearest zoo they advertise the time that the Sea-lions are going to get fed. Everybody visiting makes an effort to get there for it as the animals put on a characteristically smug display of jumping out the water to catch the fish that a keeper is throwing for them. In comparison to the other animals, these retarded mermaids really are attention seeking little bastards.

Based on its popularity, the zoo decided to publicise this event for some of the other animals too. At 1:00pm it was time to feed the Cheetahs and so again everybody turned up with their children to watch. However rather than fish, the zoo keeper this time arrived with a wheelbarrow full of chopped up chunks of flesh, very obviously once belonging to rabbits. Unfortunately the cute little bunnies had been cut in half, leaving both their entrails dangling out and the sad, sorrowful eyes still in their heads.

One at a time a rabbit was launched decapitated, cute head first into the cage. The blood splattered everywhere and the Cheetahs leapt into action, ripping the popular family pet into even more shredded pieces. Children began to scream and cry as Flopsy and Cottonball had their necks snapped and ears audibly ripped off. Parents began to panic knowing they'd just scarred their offspring with images of this Easter Bunny holocaust. The zoo itself received several complaints and they cowardly never promoted it again. Take it from me though- it was amazing!

Based on this incident, the thing that I can't help but wonder is: what kind of shitty fucking businessman could ever think that Jurassic Park would succeed? If the public can't cope with one minor buck-toothed genocide, then what chance have they got of enjoying Billy the goat having his arse torn open by a fucking great horny T-rex?

However I suppose these were the least of the concept’s problems, as were well documented in the 1993 film of the same name. The movie begins by introducing us to the main characters who are Sam Neil, Laura Dern, Richard Attenborough and Brundlefly. As it turns out, Attenborough has managed to clone some dinosaurs using a method closer to magic than science and everyone is convinced that it makes sense after some words of endorsement from the ‘experts’. He explains the method to Dern and Neil as they dig up some of those fossils, obviously left by God to test us... For those who haven't heard that unpopular theory of theists, the basic conclusion is that The Almighty is a tricksy motherfucker with too much free time. Kind of like an omnipotent Johnny Knoxville.

Having brought the dinosaurs back from the dead, Attenborough decides that the most logical thing he can do is stick these monolithic miracles in a fucking zoo. It's a nice idea but- balls to it, if we're sticking anachronistic tourist attractions behind bars then we should go the whole hog and throw the Queen of England in there too. She might have German in her blood but I doubt she's quite as lethal as a raptor. She looks like she's got a strong bite, but I'll be damned if she can run as fast.

So the gang arrive at the island and are given a brief tour of the attractions before it all goes massively tits up. It seems that the worst thing you can do when running a park is hire a greedy, untrustworthy fat bastard to be in charge of the security systems and then rely on his lardy arse to stick around. In the case of Jurassic Park, a treacherous Porky-pissing-Pig decides to steal some embryos by turning off all of the electric fences and allowing the dinosaurs to escape, running wild. Within minutes a lawyer is dead, Sam Neil is escorting two children through the Cretaceous safari and Brundlefly has burrowed his way to safety under the remains of a destroyed toilet block.

For someone who saw this when it originally came out, Jurassic Park will forever hold a place in my heart. As a child, I was obsessed with dinosaurs and so this quickly became my favourite film. If I was fascinated by the terrible lizards when they were dead- seeing them eat the living fuck out of people was enough to blow my 7 year old brain. Although even as a puny young one, I knew there were several problems with the gnarly beasties depicted on screen.

According to current research which was available during the writing stages of the film, Dilophosaurus probably couldn't spit venom, Velociraptor was no-where near that tall and T-Rex's vision wasn't based on movement. Even if old Granny-Rex was engineered to have the cataracts of a blinded old dodderer, the odds are it'd be able to smell its prey when it gets up close.

It's not just the facts regarding the individual species that are slightly dubious either. For a start, I'm not sure why they're correcting the genetic gaps of the dinosaurs with frog DNA. We've already established that the closest living relative is a bird, so why not use some of that instead? Unless you wanted to make a giant army of killer fucking Kermits, I'd stay clear of anything amphibian related.

Plus it's said that they got the dino-DNA from a mosquito, however those bloodsucking bastards don't just feed off the one creature. Not only would you need to extract the bug’s prehistoric contents but you'd then need to separate everything inside of it to the individual creatures it had drank from. Although, even then the odds of them getting anything at all are pretty slim seems as they're trying to collect the samples from a male mosquito. As any anorak of insects will tell you it's only the female that can drink any blood at all... Silly scientists! I'm assuming most of them lied on their CVs to get the job- at least one of them looks like the work experience boy taking the piss.

This film is technically listed as science-fiction, however there's so little actual science present that I'm currently putting together a law suit in relation to the trades description act. There's about as much science here as there is up a Vietnamese child's sleeve when he's doing some crafty fucking card trick. Though, does anyone really give a solid shit? Even if this is all bollocks, you'd have to be some pedantic prick not to enjoy Jurassic Park simply because it makes practically no biological (and sometimes physical) sense. Even if the makers had tried to claim the creatures had been beamed into their paddocks from fucking Mars I'd have gone with it.

It's often said that Spielberg's films are like a roller-coaster, although none more so than this considering that's exactly what it is. As the ride begins we're taken from one classic scene to the next with each being more thrilling than the last. There's the raptors being fed a cow in a gimp suit, Samuel L. Jackson lending a hand and the ninja T-Rex creeping into the Museum lobby. As set pieces go, Spielberg builds them like a genius showing us the vegi-saurus to start with before having people running for their life from the Stabby-cunt-osaurus. If the first half of the movie is building the tension then the second half is just Jaws with legs and a big pair of bollocks.

Sure the acting isn't the best but Brundlefly is always good fun and it's nice to see Laura Dern in something that doesn't resemble a Lynchian fucking nightmare. The kids are annoying too but as much as gay little Tim tries, he can never outdo his irritating older sister. Despite having no personality it's obvious that by now hacker ‘Lex’ will be a nappy wearing lesbian who refuses to leave her computer until she's levelled up her class 9 Wizard. I hoped a raptor had bit her hands off -it'd probably be the best thing for her, considering.

It's obvious too that the script is hardly Casablanca. But what Casablanca has in quality dialogue, it lacks in any dinosaur related deaths. As much as I like the witty conversations of Rick Blaine, I'd much rather see a T-rex throw a Raptor through a window. Plus you can't accuse the lines here of being unmemorable. “Hold on to your butts”, “Clever Girl” and “Ah, ah, ah you didn't say the magic word” are like religious text in the land of the blockbuster.

As Spielberg movies go, this probably isn't his best. E.T has more heart, Indiana Jones has a better hero and Jaws has ultimately left me with more psychological damage. Thanks to that ocean dwelling prick I can never go back into the sea however I'm strangely not so worried about theme parks. I went to Alton Towers recently and I was more afraid of being mugged by dwarves than I was being eaten by a dinosaur. Just because their stubby little fingers can't reach your pockets doesn't mean they won't still try.

By returning to the summer blockbuster, Spielberg has created here possibly the greatest monster movie ever. Some people might argue that the original King Kong or Godzilla are better, but last time I checked neither of those had a lawyer being eaten mid-shit by a T-Rex. Two depressing decades later and the film’s effects have stood the test of time and seeing a fat man slip down a waterfall is still as exhilarating as ever. This movie is still one of my favourites and if it proves anything, it's that like communism, a theme park full of man eaters is only a good idea in theory. It's a film that justifies its own existence for the simple stupidity of it's main concept and then being so brilliant despite itself. 

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11 June 2012

Holding Out For A Hero


Aron Ralston is not, by my definition, a ‘hero’. I'm sure there are people out there who consider him one, however really- what did he do? He got stuck behind a boulder and then chopped his own arm off to escape... I mean, how exactly does that make you a hero? Of course it shows what we as a species can achieve and could be both massively motivational and inspirational but have you seen Superman Returns? I swear I saw that kryptonian motherfucker throw an island into space with just his bare hands. How can you compare what Ralston did to that? Sure, he probably gets a few extra bonus points for being ‘real’ but so what. I once saw a video on the internet of some knobhead shoving a glass jar up his arse which then cracked and shattered. He then proceeded to pluck the broken shards out of his bleeding shit hole before heading off to hospital with a limp and presumably one of the funniest excuses of all time. To me, that tit with the scarred poo-hoop and Ralston are in the same ball park. They both did something stupid for fun and then had to deal with the gorey consequences. The only difference is that Ralston's Story also makes a bloody good film.

Following his Slumdog Oscar win you would have thought that Danny Boyle would seize the chance to make a film for more than his usual £78 budget. It's therefore interesting to see that what he actually made was 127 Hours. The story couldn't be superficially smaller if it tried. Although it might deal with large issues such as spirituality and survival it is still one actor alone for 90% of the screen time with a big bolder pinning him in place. It's basically Cast Away if you replaced Tom Hanks with James Franco and Wilson with a giant cunting rock.

The film starts with a series of quick cuts pretty much setting up who Ralston is. He's one of those tits that needs to go to the extremes of the world and probably considers himself an ‘adrenaline junkie’. My average days consists of drinking too much caffeine with my adrenalin pumping only when the Rich tea biscuits run out and I have to switch to Chocolate Hobnobs. Ralston however prefers to ride around in the middle of nowhere, go rock climbing, camping and pretending to be Ethan Hunt. I have no problem with people doing all of those adventure sports but surely I'm not alone in thinking that they're complete idiots? On one of his expeditions Ranulph Fiennes got frostbite in his fingers and so chopped them off in his shed with a Black & Decker power-saw. That is literally the stupidest fucking thing I've ever heard. Usually when people do shit like that it's whilst under the influence and becomes an argument for why drugs should be illegal. The obvious message is if you ever take mushrooms get yourself a few quid in sponsors. At least if you try to fly out the window you'll die as an inspiration to others. Apparently charity is the excuse that makes idiocy acceptable.

Anywho, so Ralston heads out for his latest adventure which is to take place in Blue John Canyon. Apparently this is an area in America famed for being one of the hiding places of the legendary “Hole In The Wall Gang”. I'm not sure what they're famed for actually doing but judging by their name I'm going to assume it was cottaging. What this opening 20 minutes does is allow us to judge Ralston and get to know him a little bit. He is a tit but like Richard in The Beach he's a likeable tit. Of course it does help that he's played by James Franco who was the second best thing about Spiderman after Toby Maguire's screwed up running/angry jizz-face.

Considering this is what the entire film centres around, when he falls, the incident is almost anticlimactic. Even he doesn't seem to notice what's happened allowing the horror of his imprisonment to slowly sink in. It's kind of like watching Titanic and only showing minor concerns about those pesky leaks until the boat has gone under, DiCaprio has died and worst of all Celine Dion starts singing. The other similarity it shares with that film is that everyone knows how it's going to end. 127 Hours is therefore not about what will happen but will we believe it when it does. For the next 70 minutes we're simply subjected to the trapped Ralston as we witness his emotional journey which ends with him deciding to hack off his own arm. I guess it's sort of like a cross between JackAss and Saw but real. Faced with a choice of removing my arm or watching Titanic again I think that like Ralston, I'd have to accept that my wanking days are over.

The title and promotional material for 127 Hours would have you believe that this is a race against time for survival. However it's not really like that as whilst trapped, Ralston looses track with minutes and hours blending into one. I guess it must be a little bit like playing Age of Empires on the computer in that respect. Back in about 1997 I actually experienced something a little similar to Ralston myself. I was about eight years old and needed a dump. There was however one problem... The shit I was trying to pass was significantly bigger than my child sized arse hole and it really fucking hurt. At first you panic and don't know what to do but eventually you rationalise and deal with the situation. As Ralston begins to use a knife to chip away at the rock, I started to cry and called for my Mum who talked me through it like a fecal-midwife. The irony is that some of the expressions Franco pulls in the amputation scenes are near identical to those that I pulled as my giant turd began to breach.

Before he does hack of his arm, Ralston attempts various ways of removing the boulder. One of the purposes of the film is to apparently show us what we would all do in his situation. I think I know what I'd do though and removing a limb would not be how it ends for me. At one point he throws a rope out of the chasm, ties it around the boulder and tries to hoist it off. As soon as that failed I think I'd just give up, turn the pulley into a noose and asphyxi-wank myself to death. Given a choice I'm naturally a righty but seems as that hand is the one that's trapped well I guess we all have to make sacrifices.

In order to get into his mindset we are treated to various flashbacks, hallucinations and dreams. He also at one point drinks his own piss which is I'm sure something we've all been curious about but never had a proper excuse to do. Rather than having a straight up narration Ralston starts expressing his thoughts by talking to a camera. Effectively he makes a number of video blogs like he's auditioning for some shitty Big Brother reality show. To be fair he doesn't do anything that those cuntestants wouldn't do either. I think the moment people start shoving wine bottles up their fat, clammy vaginas they'll do anything as long as it's being recorded.

By the time he decides that his arm has got to go, Boyle and Franco have done their job. Although I don't think I could do what Ralston did I believe that the depiction of him on screen could. The scene isn't quite as disturbing as the pre-release hype would have you think but it's still pretty full on. The worst part about the scene is the point where he has to cut through a nerve. The last time I hit a nerve like that was when I accidentally called my mate a beaver forgetting he was sensitive about his teeth. The jokes on him though as I think his teeth are fine, I meant he was being a cunt. Eventually Ralston frees himself, takes a photo of his arm and walks off to freedom. I'm not sure why he took a photo but I'm hoping it was for the most fucking up facebook profile picture ever. Nor do I know what happened to his arm after he left. He's famous now so I'm assuming someone will have found it and stuck it on eBay. If he signed it, he could auction it off for charity to a lonely woman or some obese gays whose fingers can't quite reach their own arse hole.

Danny Boyle is one of my favourite directors and this easily shows off his abilities. The editing matches Ralston's mentality, fast and jumpy when he's exploring, slow and disorientating when he's trapped. It's got a cool soundtrack, a knobhead main character and an optimistic ending. It's basically your typical Boyle movie which is fine by me. Like “Perfect Day” in Trainspotting, this also includes an ironic use of the song “Lovely Day” by Bill Withers. My idea of a perfect day is finding a big bag of marijuana, opening a packet of quavers and then wanking myself to sleep. Chopping myself up does not feature in that for me.

For anyone who hasn't seen the film I can't recommend it strongly enough. Since escaping his situation the real Aron Ralston has gone on to make millions of dollars with books and public appearances. If there is a message to this movie then it's one of two things. Either that humans are a remarkable species who can adapt to survive any situation given the right amount of motivation. Or that self-harming to the extreme will make you rich and famous. I'm not recommending you start cutting on your arms to become well-known but if you died you'd probably get your name in the newspaper. If that sounds tempting then go for it- prove Darwin right, motherfucker!

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28 May 2012

No Time For Love, Dr. Jones


From that depressing moment when we wake up alive, we proceed to spend our entire day existing in a world of lies. With friends, families and strangers being granted the curse of speech, every living moment is simply another adventure up the river of bullshit. If Piers Morgan is anything to go by then the general rule should be that if it has a pulse and something resembling a face then just don't trust it, stab it with a fork, burn it with fire.

It's not only an exposure to people either that we should be worried about. All day long we're bombarded by adverts convincing us to buy shit that we don't need in exchange for our dignity, souls and, worst of all, cash. They tell us that wearing deodorant will get us laid and that eating chocolate will result in an orgasm. The only way that buying an aerosol might get you fucked is if you sprayed it directly into your victim’s eyes. There's only one possible process in which chocolate can make you cum and that's by slipping it melty-end first up the arse hole. In that unrealistically honest world ‘Toblerone’ would be shaped less like a mountain range and more like a sweet, honeycombed cock. With popping-candy…

Believe it or not but cinema too is guilty of its fair share of truth bending. If Pretty Woman was real, Julia Roberts wouldn't have found love with Richard Gere. She'd have been a crack addicted single mother who'd end the film rolled up in a rug and plunging headfirst towards a polluted river.

More importantly though according to the movies, archaeology is an action packed adventure through dangerous jungles after treasures and trinkets of huge cultural significance. In reality archaeologists are rarely allowed out in the sunlight and are only released to scrabble around in mud and dig up some shiny shit that was dropped a good time ago by a couple of long-dead wankers. If you ask me, an archaeologist is just a road sweeper with a degree.

But fuck it- I don't watch movies to see the truth, I watch them for entertainment. Watching the Indiana Jones Franchise is more fun than visiting a museum and anyone who says different is clearly wearing their anorak too tightly. At this point there are four movies in the series and despite the luke-warm reviews for Kingdom of the Crystal Skull, I do hope they make another. Although, I do hope they make it quickly as I'd much prefer to watch Dr Jones searching for something because it's valuable and not just because his dementia has set in. As soon as we get to Indiana Jones and the Wreaking Stench of Piss it's probably high time to hang up the whip.

Now regarding the current four films, I'm not an idiot. I know that without question Raiders of the Lost Ark is clearly the best and most well made film of the franchise. I think it could also stake a claim to being one of the few perfect movies in existence. There are no skinny aliens, Jones always shoots first and it's presented in good old fashioned 2D. So far the only 3D film I've been excited about is Titanic and that's only so I can get a more accurate look at Kate Winslet's rounded tits.

As much as I love Raiders however, my guilty pleasure has got to be the hugely under-rated Temple of Doom. I'm not saying that it's the better film but simply that I get more boyish-giddyness out of it- kind of like visiting a prostitute for fun whilst your partner sleeps in bed at home. It's not that you love the whore more it's just that she lets you stick it up her bum without threatening to leave you the next day.

Temple of Doom starts off in a Shanghai nightclub and with an enjoyably catchy musical number. This is our introduction to Willie who is to be both Dr Jones's fresh slice of screaming fanny and also one of the biggest gripes people have with this film. After she finishes warbling and Indiana stops playing pass the poison with a couple of sinister looking misters, the two exit the club via the traditional method of jumping out the window. Luckily, to break their fall is Short Round, a young Japanese child who is both being groomed by Jones for his own personal reasons and also the second character in this film to get on some peoples tits.

After being chased by a mob of gunmen for seemingly not paying his drinks tab, Dr. Jones and his gang board a plane to escape. Unfortunately though the pilots’ shifts end mid-flight with them deciding to empty the fuel tank and fuck off home. I'm assuming this isn't standard aeronautical procedure although it's probably less dangerous than eating some of the shit they serve on commercial flights. I'd honestly much rather see the pilots pissing off past my window than put some of that processed gunk in my mouth. I ordered some bacon once that arrived to me in a small tin tray looking like a pork chopped vagina. Thanks to that flight, both Kermit and I now know what it feels like to go down on a pig.

As he sees the plane is about to crash, Indy has the genius idea of leaping head first out of the open door and surviving the fall in an inflatable dingy. Personally I wouldn't have thought that a thin sheet of rubber would make much difference at a height like that but I'm not a Doctor like Jones is, so fuck it what do I know. Thankfully the children's inflatable prevents the gang’s legs from penetrating their shoulders and instead they all go on an exciting ride down to the base of a mountain. At the bottom they are greeted by a surprise cameo from a mental looking Ghandi.

At the local village, Indy is finally told the plot of the film. Apparently both a magical stone and all of the local children have been stolen by a nearby ruler. If he can return the stone then everybody will be very grateful, if he has time to grab the kids too then even better. We're told that the people living here are starving due to the lack of food. Bringing the kids back would just result in more mouths to feed so sod them- just get the shiny fucking rock and let’s move on.

So like King Bitch of the Peasants, Jones does as he's told and trundles off to grab their treasure. This latest adventure takes in a lot as he encounters the usual booby-trapped rooms, a Donkey Kong mine cart chase and even witnesses the human sacrifice of a man that I'm pretty sure is Spud from Trainspotting.

Of course this film isn't as good as Raiders but that doesn't make it bad. For me the whole point of an Indy movie is to simply be fun and I don't think anyone could say this is dull. With its rip-out-hearts and demonic baddies, the film has been criticised for being too scary with Spielberg himself even stating that, “It was too dark, too subterranean, and much too horrific.” Personally, I just think this argument is a little bit bollocks- as a 10 year old watching it for the first time, I loved every second. Sure I got scared at times but that just added to the enjoyment. If I was that traumatised by it I wouldn't have spent the next few days putting my hand over people’s chests in an attempt to remove their hearts. In the end I figured it was quicker to just use a knife and blame it on God.

The action here too is just as exciting and just as relentless as you'd expect from a genre king like this. There's the opening club shoot out, conveyor belt wrestle, and of course the run away mine chase. Once things kick off, they just don't let up to the point where even I felt tired just from watching. If woman was made from one of Adams ribs then I can only assume that Harrison Ford was made from a slither of Thor's scrotum. The amount of stunts and scrapes that poor Dr. Jones goes through really is enough to make me wonder what my teachers were moaning about. All in the name of education, Indy is caught by a cult and forced to drink poison from a decapitated head. We only had one teacher who'd have been prepared to do that and that was mainly because she was a suspected alcoholic. 

The humour too is in my opinion much more obvious in this film. Temple of Doom caters exactly for my inner 8 year olds needs by clearly upping the icky with more bugs, gore and suspiciously coloured gunge. If I was Kate Capshaw and a fat man showed me his ‘snake surprise’, I think I'd be relieved when things started slithering across the table and he kept his porky little knob hidden firmly under his chubby pocket of belly-flab. Some people think the jokes here are a little too broad compared to the previous movie but they're wrong. Slap-stick or not they're still funny in the intended manner. The last movie had a singing Gimli, a Nazi-monkey and a fat man who can't take his drink, so neither film is exactly Oscar fucking Wilde.

When it comes to people’s gripes with this film, it seems the finger of blame is pointed at the inclusion of both Willie and Short Round. Regarding Willie, yes, she's a wailing pain in the arse but she's supposed to be. From what I can tell, she's a throw back to those scream-queens of ye olde Hollywood, with the pleasure being in not enjoying her company but seeing her in trouble. Willie has a horrible time throughout this movie and I'm glad because seeing her upset amuses me. When she shows up I don't think “I hope she survives”, I think “fuck her- throw another fucking spider in her face”. People wonder why Indy likes her but I don't think he does. He carries a whip around for God’s sake! Do we really think that kind of kinky, pervert is out hunting for marriage material? He's a guy and she's presumably got a working vagina so personalities are really not that relevant.

As for Short Round, I genuinely like him and I think the affection that Indy has for him is very sweet to watch. It's nice to see that Jones has a paternal side with it also being interesting to witness how similar his parenting is to his own father’s. Both Indy and Dr. Henry Jones prioritise teaching their kid independence which might also explain why we never see Short Round again. Either the child has been taught to stand on his own two feet or more likely Jones one day swapped him for a couple of camels at the market. The desert is a big place, if you're going to brave it you'll be needing something to fuck... Camels keep better secrets than little Japanese boys.

These two characters don't annoy me because throughout the film we're taking the piss out of them. Plus has anyone else seen The Fifth Element? I think once you've seen Chris Tucker in that then nobody ever seems annoying again. No matter what bible-bashing pain in the arse knocks on my front door, the first thing I always think is ‘Thank God it's not Chris Tucker’. If I can't see what that whiney slab of noise is doing, then there's always a chance he's just been killed in a car accident. I'm not saying that's what I'd want but just that's it's possible... In comparison, I think Willie could only be as irritating as Tucker if she stuck some bagpipes up her fanny and gassed out an hour long queef of sloppy, Scottish pain.

However- just because I don't mind those two doesn't mean I think the film is perfect. The main baddy doesn't show up for the first hour and even then we don't get to know him properly. He's kind of like Darth Maul in that he puts in a brief appearance, looks cool and then dies. It's not that I want to start dating these characters but it would be nice to know how they became the tattooed bloody rotters that they did. Mola Ram is the big-bad in Temple of Doom and yet he basically only pops up for a cameo at the end. Kind of like turning up at your own birthday party just to announce you're going home. Although I guess it's not too much of a problem because like a birthday party, everyone else is already having a good time without you.

Temple of Doom is so much fun that it deserves its status as a bona-fide classic. If music bypasses our logic and hits us directly in the emotion then this film heads straight for our inner youth and gives it a kick up the arse. It's well made, exciting, funny and everything you could want from an Indiana Jones film. I do like Kingdom of the Crystal Skull but there's no doubting that this film looks even better when compared to a bomb-proof fridge, pixelated gophers and renowned actual cannibal Shit laBeef swinging with the monkeys.

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17 May 2012

Same Old Bite


When it comes to film adaptations we seem to be getting rather desperate. These days, source material comes from books, computer games, life and fucking toys. It was bad enough when Michael Bay's cinema AIDs started infecting the screen with the grossly sexualised, misogynistic depiction of Cybotron's talking cogs but now others have begun to follow suit. Battleships was seemingly not only a Transformers rip off but also based on a game with less imagination than a trainspotting, dust enthusiast in a coma. Tim Burton's latest movie too is an adaptation but more forgivably of a 60/70's soap opera called Dark Shadows.

However, unlike the soap operas set here in Britain, Dark Shadows has a more supernatural element to it. Most of our shows are based in some form of realism although I've often assumed that the morbid grim-ness of Eastenders is due to it being set in a manic depressives head. In fact, our shows are so tediously dull that one of the most unbelievable aspects of them is simply how everybody knows each other. I've lived in the same house for over a decade but if one of my neighbours stabbed me in the tits, shouted their house number and then raped me I'd still wonder who they were. The closest our soaps get to dealing with the supernatural is probably Coronation Street's shambling corpse Ken Barlow. He's an actor who’s played that same part for so long that to fire him would probably require an exorcist more than it would a P45. It would be less like taking a man's job from him and more like removing the sets haunted book case. He just lingers and likely never leaves the set…

Tim Burton’s Dark Shadows starts with a typically gothic sequence set in a 1752 Liverpool which introduces us to the Collins family. As soon as they see a financial opportunity however, they leave the area and set up a business in America with no intent on returning. They're basically The Beatles of the canned food industry. As time rolls by, Barnabas Collins grows up into Johnny Depp, a promiscuous playboy whose undoing is a result of shagging the wrong girl. Back in Liverpool, this would have probably been someone named Gemma who pushes a pram around the docks and has a fanny full of clap. In America however, Barnabas sticks his cock into a witch who proceeds to curse him for not loving her enough. Turns out that no matter what period you live in, there's always some deranged bitch who’s watched The Notebook once too many (with once being too many).

As a result, Barnabas develops pale skin, a desire to kill and starts to sleep during the day. What separates him from the average scouser however is his need to drink blood. With Barnabas now obviously a vampire, his real true love does what Piers Morgan should and throws herself from a cliff to a violently painful death. Learning of his affliction the locals start to panic too. Reacting to their fears of vampires and Liverpudlian's they bury Barnabas alive before he can commit any crimes. With him safely chained up beneath the ground, the area is therefore devoid of both a murderous demon and the risk of benefit fraud for almost 200 years.

By 1972 the Collins family is in ruins. Their mansion is a wreck, their finances non-existent and their staff consists of one single stuttering inebriated Rorschach. Luckily for them however, there's a vampire buried in the garden who happens to have their best interests at heart. After accidentally digging him up like a fucking dead family pet, Barnabas makes it his mission to restore both their name and wealth to its former glory, though before he can do anything he must acclimatise himself to the grim realities of his present day.

As he runs about enjoying the 1970's, he kills a few hippies including Cassie from Skins, hypnotically manipulates people and worst of all, breaks a television. He also notices that the family’s new maid looks a Hell of a lot like the reincarnation of his old dead wife. Wooing her and rebuilding his canning business would however be a lot easier if it wasn't for the witch who originally cursed him. Like a typically obsessive ex-partner, the bitch is still roaming the local area and making his life a misery. At one point she even re-buries him with a pair of her knickers on his face. To be fair though, the witch is played by Eva Green so that sounds great to me. Sleeping all day long with an erection and the whiff of her sweaty French flaps isn't the worst thing that could ever happen.

So far the reviews for Dark Shadows have been fairly mixed. If the soulless Alice in Narnia is Burton's low point then I would say that his Forrest Gump/Freddie Krueger crossover Edward Scissorhands is his best. This latest Gothic effort is probably somewhere in between. It's not vacuous but nor is it particularly well balanced. Plot points just appear out of nowhere with the snarling Chlo-Mo conclusion being noticeably random. Speaking of Hit-Girl, if there are any paedophiles watching then you'll particularly enjoy the reference to her fingering herself. You can't get arrested for what you imagine, so for those with a taste for the young, it's jailbait-tastic. She's fifteen and I'm not a disgusting fucking kiddie fiddler so the thought does absolutely nothing for me. Not for another twelve months anyway.

The biggest problem here for me however was simply how neglected Barnabas's allegedly reincarnated wife was. She's so ignored throughout the whole film that she may as well have stayed fucking dead all along. Despite her darkly romantic conclusion, her screen time is the equivalent to that of a lamp shade or particularly eye-catching duvet. At least as a corpse she might receive some proper attention by having a morbidly lucky necrophile come across her. In my opinion, perhaps part of her problem is that she shares quite a lot of scenes with Michelle Pfeiffer. Where that sexy catwoman is concerned, I wouldn't notice if The Pope was next to her leaking rainbows from his tits and sucking off a novelty crucifix-shaped dildo. Therefore any moment in which Barnabas shows his suspected love any attention, you're simply drawn to how undervalued she has previously been.

On the plus side though there's plenty of the usual joy from the brain of Tim Burton. It's as typical as his films go but fuck it, that's what I like. If he wants to make gothic horror films with the same black eyed, pale faced actors over and over again, that's fine by me. Like Wes Anderson, Terry Gilliam and Ed Wood, his distinct style pisses off plenty of people which simply proves that not everybody can be right at once. Nobody expects Mike Leigh to make an action film or complained about the lack of explosions during Vera Drake’s abortion scenes, so why should Burton have to change?

Highlights here include Barnabas's ghoulish attacks, Eva Green’s tits and cameos from both Christopher Lee and Alice Cooper. Mr Lee is unfortunately nearing the end of his neck biting career and it's nice that we keep squeezing a few more performances out of him. That dark-lord fucker is too much of a legend to be sitting in an old folks home when there are horror films still being made. Alice Cooper on the other hand clearly hasn't aged a day since 1972. Although in his case, the trick was to start off looking like a man in his mid-sixties and spend the next four decades already partly decomposed. At one point, Barnabas's refers to the ageing rocker as, “the ugliest woman I've ever seen”, which despite being funny simply means he is yet to lay eyes on Paris Hilton.

The tone might be wonky and it's not as funny as the trailer suggests but Dark Shadows is still worth a watch. In a way, by setting up so many various sub-plots, it kind of feels like a highly produced television pilot which then suddenly has to tie everything up at the end. Sort of like those annoying porn videos which are five minutes of blow-job followed by one minute of mechanically, joyless grunting and shagging. Dark Shadows is Burton working below his best but even his average is better than anything Michael Bay or the director of Battleships could come up with. It might be an oddity- and for the wrong reasons, but in a world of blandness and idiocy that is still something that should be appreciated. 

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