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A few years ago I was
at a party in which somebody asked me which famous people I share my
birthday with. This is also an indication as to the level of 'cool'
that the parties I go to are. Being born on the 14th
of October, I proudly announced that I had the same birthday as Roger
Moore. “Oh”, said the dullard asking, “what about any cool
famous people?” It was with that that I turned on my heel and
walked away. “I don't need dickheads like that in my life”, I
thought to myself. I don't know why I have a love for Roger Moore
that's as strong as I do, although the fact that he's a fucking
legend is clearly one. Self-deprecating, funny, calm, and if his work
with Unicef is anything to go by.. ultimately kind. Arguably he's the
only actor that's ever gotten Bond completely right too. Most people
claim that Bond should be dark and cynical as is the case in the
original books. However Moore realised that it was such a ridiculous
character that the only way to do it right would be to do it in a
knowing way and with his tongue lodged firmly in his cheek. As a man
with a claw struggles to remove his watch in Live And Let Die,
Moore's Bond is clearly annoyed
and so angrily refers to the man as a “Butter-hook”. I will
never not laugh at that line in which Bond revels in his own ability
to annoy somebody and I will never not laugh at Moore's delivery of
it.
Moore's
theory was that if he was having fun on screen then hopefully we'd
have fun watching him. Moonraker is
a proper crap film, but as he rode through Venice on a randomly
discovered hover-Gondola, and to the surprise of the local pigeons,
there's no denying that his theory was fucking true. I think
therefore that I love Moore because he's the Bond that seems the most
enjoyable to spend time with and the one that would want to spend
time with you too. Unless he was about to shag or kill you, Connery's
Bond wouldn't give you the time of day, but Moore's comes across like
a proper lad. The kind of guy that'll swagger up to a bar to order a
drink and within a few hours be surrounded by people as he rattles off
stories and has a laugh. Despite this however, there's still a large
amount of people that don't like him as the character and I think
it's this final cherry of bullshit that endears me even more to him.
The other Bonds don't really need defending because they're either
universally loved or George Lazenby. However I feel the need to
defend Moore because he is actually brilliant.
There's a criticism
that has often been thrown at Roger Moore in which it's said that he
has two singular strengths as an actor; “left eyebrow up and left
eyebrow down”. Now there's two things that are annoying about this.
The first is that it's clearly total bullshit. James Bond first hit
the screens in 1962 with Sean Connery turning both himself and the
character into a world wide phenomenon. However I'd argue that
without Moore, the franchise wouldn't have lasted the almost six
decades that it so far has. I mean, how the fuck do you follow in
Connery's footsteps? Just look at George Lazenby's efforts, or as most
people now call him.. “Who?” Roger Moore proved that, to be a
successful James Bond, you didn't just have to attempt a bad Sean
Connery impression. Which is lucky because it generally only takes a
lisp on the letter 's', a bad Scottish accent, and a look in your eye
the suggests you'll back hand a women before taking any lip from her.
Instead the trick is to take the key elements of the character and
decide which of them will play most to your strengths. In the case of
Moore, this was his knowing sense of the franchise's own bullshit. The
second reason that it's annoying that people often use the 'eye brow'
quip as a critique of him is because the fucking quote originated
from him!
And speaking of quips,
his autobiography is entitled 'My
Word Is My Bond' which is
completely fitting. In many ways his Bond is defined not by his
actions but his talent for delivering the one liners that were always
funny even if they didn't always make too much sense. “All those
feathers and he still couldn't fly” … Sorry Roger, I have no
fucking clue what that means but I'll laugh simply due to the joy in
which you delivered it. However when Bond points a gun at a man's dick
and announces, “Speak now or forever hold your piece”, I'd say
that's got to be one of his best one-liners. Speaking about that one,
Moore later said that when playing on television the Americans would
always censor that final word. According to him, “I suppose the
Americans must just have a problem with the sound of the word piece”.
It's also worth mentioning that one of the most famous lines in all
of cinema is, “Play it again, Sam”, from the film Casablanca.
Except it's not from
Casablanca because that's a
misquote. In fact, the actual quote is, “You played it for her, you
can play it for me...If she can stand it, I can. Play it!” Not
quite as snappy that one, is it? However the line “Play it again,
Sam” is used in a movie. So next time you're at a quiz and
somebody asks, “In what film is the line 'Play it again, Sam' used?”,
you should answer, “It's in Moonraker and is said by Roger Moore
after he's just killed a man by dropping him into a piano”.
I
actually saw Roger Moore live on stage a few years ago when he was
touring about with stories of his life. As he came onto the stage I
was overwhelmed to see him in the flesh and began internally
screaming like those video clips of foreign women who have just
endured some horrific disaster. At one point a man in the audience
shouted out a question to Moore about politics. I have no idea what
the question was however the bald chap on stage asking Moore about
his life freaked the fuck out and started screaming, “WE DO NOT ASK
SIR ROGER MOORE ABOUT POLITICAL ISSUES”. I don't know why the bald
chap got so angry but it was exciting as fuck. And speaking of being
silenced, it's worth mentioning the interview that Moore did with a
couple of super-fans and comedians Adam and Joe. Whilst hosting their
BBC Radio show they introduce Moore and then promptly have a mental
breakdown in front of him. It's amazing. Joe asks, “A lot of people
erm... are kind of err...have lost track of the Bond's because
erm...they...”, to which Adam jumps in with, “Joe's gotten
overwhelmed. He's got all star struck”. Joe simply adds, “Sorry”.
It's
worth mentioning too that Joe had previously written an alternate
theme for Quantum Of Solace that
included the lyrics, “Sometimes I wish Roger Moore would come back,
with an underwater car or some kind of jetpack, or a hover Gondola
and a Union Jack”. However perhaps it's the Scouting For Girls song I
Wish I was James Bond that gets
to the heart of how I feel, with “I've seen you walk the screen,
it's you that I adore. Since I was a boy I wanted to be like Roger
Moore”. And yet as the world gets used to the idea that we no
longer share this planet with him, I think we all know that there's
only one song that will come to be associated with him and that is Carly Simon's theme to The Spy Who Loved Me, 'Nobody Does it better'. I genuinely do love Roger Moore and so I feel it fitting to end this in the way that he wanted. When asked how he'd like to be remembered he simply answered with, "when I go, I'd like everybody to say: He lived longer than anyone I knew". I miss him already.
Hi there,
ReplyDeleteBig Roger Moore fan here. Great tribute post. Just wanted to clarify a couple of things you mention. First - the 'bald chap' on stage with Sir Roger is/was his personal assistant Gareth Owen. He helped to facilitate those interviews to keep the conversation on track and deflect hecklers in the audience. He also had a hand in writing Sir Rog's most recent books. And secondly - in the Spy Who Loves me Bond says' All those feathers and he still can't fly' is a literal reference to the motorcyclist who careens off the road/cliff after being covered in feathers from the mattress truck that exploded in front of him after the sidecar deploys. Go back and rewatch the scene. Makes perfect sense. Cheers.