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Anyway, I thought about most of this whilst watching Pixar's lovely children's film Up.
For those who haven't seen it, it's basically about an old man who
doesn't take to the death of his wife very well. Whereas most widowed
dodderers just sit inside and wait for the cold to take them, this one
instead decides to strap a load of balloons to his house and float away
like a human fucking bubble. Before his wife died, the two had always
dreamed of moving to South America but never got around to it because
lets face it... no human ever has ever had their dreams fulfilled. To
add a little drama to the journey on his way to paradise, the old man accidentally
abducts a small child with the two ultimately being forced on an
adventure to save some rare birds. Sounds a bit random, that plot, doesn't
it? Yeah, I thought so too. It'd be nice to think that this story is
quite literal with everybody getting up to all sorts of hijinks and fun, but the reality of the situation is that I'm pretty sure it all takes
place in the old man's head as he lies in his home at the bottom of the
stairs. There's just so much stuff in it that might logically be mulling
around his subconscious at that time that I really can only assume that
these are the dying thoughts of an old man as he fever dreams his way
into the afterlife.
Anyway
so before I sound too much like a heartless turd-monger, I think I
should say that I completely loved this film. I mean, take my grim
reading out of it and you’re still left with a film about an old man, a
house of floating balloons and some talking dogs. I mean, if you can’t
make even a watchable movie with those ingredients then you’re doing
something wrong! What was surprising though was discovering how little I
actually knew about the story considering how long it’s been out now.
In fact, other than the balloons, all I really knew was that the old guys
wife dies at the beginning. According to everybody who I’d spoken to,
you’d think that this death was the most upsetting thing to be inflicted
on mankind since we realised that God was dead, we’re all alone and one day
our sun would explode destroying any and all evidence of mankind's existence. They really bang on about it! If I told anybody
that I was planning to watch this then they’d give me such a warning
that I’d cry that you’d have thought I’d need to be on a fucking drip to
avoid dehydration. I’m not one to shy away from weeping at a movie like
a menopausal gizoid so I popped the DVD in, prepared for some pathetic eye-dribbles and then… nothing. I didn’t cry. God, I’m such a man!
Obviously, that’s not to say that I didn’t enjoy the opening or even find it emotional. I just think that because it had been bigged
up so much that as sad as it was, it wasn’t as sad as I’d been led to
expect. Who knows… perhaps if I’d gone in completely cold, that beginning
could have left me shriveled on the floor in a pool of face-piss and
mucus. Arguably one of Pixar's
biggest strengths is that, like a dodgy hot-dog vendor, it shovels in a
lot of heart on the sly and Up is clearly no exception. Whether it be
the moment in Toy Story 3 where everyone plummets into hell or the
scenes in Monsters Inc.
where Mike and Sully display all the child-minding skills of Louis
fucking Woodward, Pixar truly are masters of giving you a hoof to the
feels. I might not have cried during the opening here but there were
moments later on between the old man and that young boy that he’s
kidnapped where I came close. Like some sort of reverse Stockholm
syndrome, the grumpy old man’s heart begins to thaw as the child's
inability to shut the fuck up starts to grow on him like liver spots on
a scrotum. As the film goes on, these two lost souls accidentally find
the one thing they were looking for. Like the chocolate that the fat boy
repeatedly shoves into his fat little mouth at the expense of his
life-expectancy, there’s no denying how sweet this is!
Which
leads me to my next point… I accept that everyone will have their own
personal reading of this film and most people will take Up at its literal face value, however if you don’t believe that it’s the subconscious dicky-fit
of a dying mind then that must surely mean that you do think this
adventure is all happening? So going with your version… The old man and
his wife live a life where their dreams are shit out of the window and
into the gutter. They want a kid but they can’t seem to have one
together. They want to go to South America but can’t both afford it. She
kicks the bucket and before she’s even cold, he’s managed to end up with
fucking both. Is it just me or was she massively holding him back? It
might seem like the message of this film is to live your dreams before
it’s too late but perhaps it’s more bluntly to just cut the rope and
ditch anything that’s dragging you down. Sure they loved each other more
than I could possibly understand, but fuck it- he replaces her with a
talking dog and who wouldn’t want one of those?
You can visit the blog picture artist at _Moriendus_
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