Not Worth Cancelling The Apocalypse For

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Pacific Rim: Uprising begins with director Guillermo Del Toro being strapped into a metal cage above a fiery pit by a creepy (and racially problematic) Temple Of Doom-style Thuggee Priest. Not literally of course, although that at least would have been a momentary detour from the two hours of mind-numbing predictability that we actually got. Del Toro directed the original 2013 Pacific Rim which has only become an increasingly better movie on the extensive re-viewings that I've given it. His was a film of colour and majesty that had both hidden depth and a message of unity that our shitty species has so far failed to understand. Every frame of Pacific Rim was laced with Del Toro's passion for art, whether it be his love of classic paintings, old Jerry Anderson shows, or simply the sub-genre of seeing huge monsters being twatted in the face by giant robots. For various reasons, he failed to sign on to this sequel having instead decided to win an Oscar for his latest fish-fucking masterpiece The Shape Of Water. Quite right too as for me, Del Toro is an artistic genius that we've been blessed to live at the same time as. His films will one day be remembered in the same way that we remember Hitchcock's or Kubrick's and if I was a director I'd want to follow in his footsteps as keenly as I'd want to be pegged by a psychopath with a cactus for a strap-on. Del Toro's heart went into his Pacific Rim film and as this sequel began I saw that Thuggee Priest rip it out and set it on fire as though showing it off to Indiana Jones, a screaming woman, and a small Asian stereotype. 

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